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The Amazing Spider-Man
Comic book series
Comic book series
| Field | Value |
|---|---|
| image | AmazingSpider-Man1.jpg |
| caption | The Amazing Spider-Man No. 1 (March 1963) |
| Cover art by Jack Kirby and Steve Ditko | |
| schedule | Monthly |
| ongoing | y |
| Superhero | y |
| publisher | |
| date | |
| issues | |
| main_char_team | Spider-Man |
| writers | |
| pencillers | |
| inkers | |
| creators | Stan Lee |
| Steve Ditko | |
| subcat | Spider-Man |
| sort | Amazing Spider=Man |
the comic book series
Cover art by Jack Kirby and Steve Ditko Steve Ditko
The Amazing Spider-Man is an ongoing American comic book series featuring the Marvel Comics superhero Spider-Man as its title character and main protagonist. Being in the mainstream continuity of the franchise, it was the character's first title, launching seven months after his introduction in the final issue of Amazing Fantasy. The series began publication with a March 1963 cover date and has been published nearly continuously to date over six volumes with only one significant interruption. Issues of the title currently feature an issue number within its sixth volume, as well as a "legacy" number reflecting the issue's overall number across all Amazing Spider-Man volumes. The title reached 900 issues in 2022.
The series began as a bimonthly periodical before being increased to monthly after four issues. It was the character's sole monthly headlining title until Peter Parker, the Spectacular Spider-Man would launch in 1976. After 441 issues, The Amazing Spider-Man was restarted in 1999 as issue No. 1 of Volume 2. It ran for 58 issues before reverting to the title's overall issue number with #500 in 2003. The series ran essentially continuously over the first two volumes from 1963 until its landmark 700th issue at the end of 2012 when it was replaced by The Superior Spider-Man as part of the Marvel NOW! relaunch of Marvel's comic lines. The title was occasionally published biweekly during the first two volumes, and was published three times a month from 2008 to 2010. After the relaunch of Action Comics and Detective Comics, The Amazing Spider-Man briefly became the highest-numbered active American comic book.
The Amazing Spider-Man returned with volume 3 in April 2014 following the conclusion of The Superior Spider-Man story arc after 31 issues. In late 2015, the series was relaunched with a fourth volume following the 2015 Secret Wars event. After 45 years, the volume was once again relaunched as part of Marvel Legacy, returning to the overall "legacy" numbering with issue No. 789 in late 2017. Less than a year later, the series was relaunched again with a fifth volume as part of Marvel's Fresh Start. For the first time, although the issue numbers were again restarted from #1, the issues also bore the overall "legacy" issue number. A sixth volume commenced in April 2022 to celebrate Spider-Man's 60th anniversary. Since the second volume, the title has had various release schedules, including monthly and bi-weekly, among others.
Publication history
Writer-editor Stan Lee and artist/co-plotter Steve Ditko created the character of Spider-Man, and the pair produced 38 issues from March 1963 to July 1966. Ditko left after the 38th issue, while Lee remained as writer until issue 100. Since then, many writers and artists have taken over the monthly comic through the years, chronicling the adventures of Marvel's most identifiable hero.
The Amazing Spider-Man has been the character's flagship series for his first fifty years in publication, and was the only monthly series to star Spider-Man until Peter Parker, The Spectacular Spider-Man, in 1976, although 1972 saw the debut of Marvel Team-Up, with the vast majority of issues featuring Spider-Man along with a rotating cast of other Marvel characters. Most of the major characters and villains of the Spider-Man saga have been introduced in Amazing, and with few exceptions, it is where most key events in the character's history have occurred. The title was published continuously until No. 441 (Nov. 1998) when Marvel Comics relaunched it as vol. 2 No. 1 (Jan. 1999), but on Spider-Man's 40th anniversary, this new title reverted to using the numbering of the original series, beginning again with issue No. 500 (Dec. 2003) and lasting until the final issue, No. 700 (Feb. 2013).
| Years | Writer | Issues |
|---|---|---|
| 1963–1972, 1973, 1980, 1984 | Stan Lee | #1-100, #105-110, #116-118, #200 (epilogue), Annual #1-5, #18 |
| 1971–1972 | Roy Thomas | #101-104 |
| 1972–1975 | Gerry Conway | #111-149, Giant-Size Super-Heroes #1 |
| 1975–1978 | Archie Goodwin | #150, #181, Annual #11 |
| 1975–1978 | Len Wein | #151-181, Annual #10 |
| 1976–1978, 1981, 1983 | Bill Mantlo | #181, #222, Annual #10-11, #17 |
| 1978–1980 | Marv Wolfman | #182-204, Annual #13 |
| 1978 | Jim Starlin | #187 |
| 1980, 1987–1994 | David Michelinie | #205, #290-292, #296-352, #359-375, #377-388, Annual #21 |
| 1980, 1982–1984, 2009–2010 | Roger Stern | #206, #224-227, #229-252, #580, #627-629, Annual #16-17 |
| 1980–1982 | Dennis O’Neil | #207-219, #221, #223, Annual #14-15 |
| 1980 | Jim Shooter | #208 |
| 1980 | Mark Gruenwald | #208 |
| 1981 | Michael Fleisher | #220 |
| 1981, 1987, 1994–1995 | J. M. DeMatteis | #223, #293-294, #389-406 |
| 1982 | Jan Strnad | #228 |
| 1984–1987, 1992–1993, 1996–1998 | Tom DeFalco | #251-261, #263, #265, #268-285, #365, #375, #407-439, #-1 |
| 1985 | Bob Layton | #262 |
| 1985 | Craig Anderson | #264 |
| 1985–1987 | Peter David | #266-267, #278, #289 |
| 1985 | Louise Simonson | Annual #19 |
| 1986 | Jo Duffy | #278 |
| 1987 | Jim Owsley | #284-288 |
| 1987 | Ann Nocenti | #295 |
| 1987 | Jim Shooter | Annual #21 |
| 1991–1993 | Al Milgrom | #353-358, #371-372 |
| 1993 | Steven Grant | #376-377 |
| 1995 | Todd Dezago | #404-405 |
| 1998 | John Byrne | #440-441 |
| 1998–2003 | J. Michael Straczynski | #442-499 (vol. 2 #1-58) |
| 2003–2007 | J. Michael Straczynski | #500-545 |
| 2008–2013, 2017–2018 | Dan Slott | #546–548, #559–561, #564, #568–573, #581–582, #590–591, #600, #618–621, #647–660, #662–676, #678–700, #789-801; #679.1, #699.1 |
| 2008–2010 | Marc Guggenheim | #549-551, #564-567, #574, #584-588, #608-610, #647 |
| 2008 | Bob Gale | #552-554, #558, #562-564, #647 |
| 2008–2010 | Zeb Wells | #555-557, #577, #583, #630-633, #636, #647 |
| 2008–2010 | Joe Kelly | #575-577, #595-599, #606-607, #611-612, #617, #625, #634-637 |
| 2009–2012 | Mark Waid | #578-579, #583, #592-594, #601, #612-614, #623-624, #642-646, #647, #677 |
| 2009–2011 | Fred Van Lente | #589, #602-605, #615-616, #622, #626, #647, #654, #659-660 |
| 2010 | Tom Peyer | #623-624 |
| 2010 | Joe Quesada | #638-641 |
| 2011–2013, 2017–2018 | Christos Gage | #661-662, #664, #695-697, #790, #794-795 |
| 2012 | Christopher Yost | #679.1, #680-681 |
| 2013 | Joe Keatinge | #699.1 |
| 2014 | David Morrell | #700.1-700.2 |
| 2014 | Joe Casey | #700.3-700.4 |
| 2014 | Brian Reed | #700.5 |
Pencilers
| Years | Penciler | Issues |
|---|---|---|
| 1963–1966 | Steve Ditko | #1–38, Annual #1-2 |
| 1966–1974, 1992, 2003 | John Romita Sr. | #39-75, #82-88, #93–95, #106–119, #132, #365, #500, Annual #3-4 |
| 1968 | Larry Lieber | Annual #5 |
| 1968 | Don Heck | #57, #59-63, #66 |
| 1969–1970, 1980 | Jim Mooney | #68-69, #71, #80, #84-87, #207 |
| 1969–1970 | John Buscema | #72-73, #76-81, #84-85 |
| 1970–1973, 1975–1976 | Gil Kane | #89-92, #96–105, #120–124, #150, Annual #10 |
| 1973–1978 | Ross Andru | #125–131, #133–149, #151–153, #156–180, #182–185 |
| 1976–1979, 1985–1986 | Sal Buscema | #154-155, #181, #198-199, #266, #272 |
| 1978–1981 | Keith Pollard | #186, #188, #191-195, #197, #200-205 |
| 1978 | Jim Starlin | #187 |
| 1979–1980 | John Byrne | #189-190, #206, Annual #13 |
| 1979 | Al Milgrom | #196 |
| 1980–1984, 1987, 1998, 2003–2004, 2008–2009 | John Romita Jr. | #208, #210-218, #223–227, #229–236, #238–250, #290-291, #432, #500-508, #568-573, #584–585, #587-588, #600, Annual #16 |
| 1980 | Alan Weiss | #209 |
| 1980–1981 | Frank Miller | Annual #14-15 |
| 1981 | Luke McDonnell | #219 |
| 1981, 1985 | Bob McLeod | #220, #267 |
| 1981, 1987 | Alan Kupperberg | #221, #285-286, #288-289 |
| 1981–1983 | Bob Hall | #222, #237 |
| 1982–1986 | Rick Leonardi | #228, #253-254, #279, #282 |
| 1983 | Ed Hannigan | Annual #17 |
| 1984–1986, 1996 | Ron Frenz | #248, #251-252, #255–261, #263, #265, #268-277, #280-281, #283-284, Annual #18, Annual ‘96 |
| 1985 | Bob Layton | #262 |
| 1985 | Paty Cockrum | #264 |
| 1985 | Mary Wilshire | Annual #19 |
| 1986 | Tom Morgan | #274, #289 |
| 1986 | James Fry | #274 |
| 1986 | Mike Harris | #278 |
| 1986–1987 | Brett Breeding | #280, #284 |
| 1986 | Mark Beachum | Annual #20 |
| 1987, 1989-1991 | Erik Larsen | #287, #324, #327, #329-344, #346-350 |
| 1987-1988 | Alex Saviuk | #292, #296-297 |
| 1987 | Mike Zeck | #293-294 |
| 1987 | Cindy Martin | #295 |
| 1988-1990 | Todd McFarlane | #298-323, #325, #328 |
| 1991-1996 | Mark Bagley | #345, #351-358, #361-365, #368–375, #378–404, #407–415 |
| 1992 | Chris Marrinan | #359-360 |
| 1992 | Jerry Bingham | #366-367 |
| 1992 | Scott McDaniel | Annual #26 |
| 1993 | Jeff Johnson | #376-377 |
| 1995 | Darick Robertson | #405 |
| 1995 | Angel Medina | #406 |
| 1996, 2006-2007 | Ron Garney | #416-417, #529, #532-543 |
| 1996-1997 | Steve Skroce | #418-421, #425-428 |
| 1997–1998 | Joe Bennett | #422-424, #429-431, #434-436, #-1 |
| 1997–1998 | Tom Lyle | #433, Annual ‘97-‘98 |
| 1998 | Rafael Kayanan | #437, #439-441 |
| 1998 | Scott Kolins | #438 |
| 2004–2006 | Mike Deodato | #509-528 |
| 2006 | Tyler Kirkham | #530-531 |
| 2007, 2010 | Joe Quesada | #544-545, #638-641 |
| 2008 | Steve McNiven | #546-548 |
| 2008 | Salvador Larroca | #549-551 |
| 2008–2009 | Phil Jimenez | #552-554, #565-567, #595 |
| 2008–2010 | Chris Bachalo | #555-557, #575-576, #630-633 |
| 2008–2009 | Barry Kitson | #558, #574, #577, #583, #586, #590-591, #594, #602, #604 |
| 2008–2011, 2018 | Marcos Martin | #559-561, #578-579, #618-620, #655-657, #800-801 |
| 2008–2009, 2011 | Mike McKone | #562-563, #581-582, #592-594, #606-607, #660 |
| 2008–2009 | Paulo Siqueira | #564, #589, #596, #598-599 |
| 2008 | Mark Pennington | #566 |
| 2008 | Andy Lanning | #567 |
| 2009–2010 | Paolo Rivera | #577, #638-641 |
| 2009–2010 | Lee Weeks | #580, #627-629 |
| 2009 | Klaus Janson | #582 |
| 2009–2010, 2013 | Marco Checchetto | #597-599, #608-610, #636-637, #699.1 |
| 2009 | Stephen Segovia | #599 |
| 2009 | Mario Alberti | #601 |
| 2009 | Robert Atkins | #603 |
| 2009–2011 | Javier Pulido | #605, #615-617, #620, #658, #661 |
| 2009 | Adriana Melo | #607 |
| 2009–2010 | Luke Ross | #608-610 |
| 2010 | Eric Canete | #611 |
| 2010 | Paul Azaceta | #612-614, #623-624, #642-646 |
| 2010 | Ken Niimura | #612 |
| 2010 | Max Fiumara | #617, #625, #647 |
| 2010 | Michael Lark | #621, #634-637 |
| 2010 | Joe Quinones | #622 |
| 2010 | Javier Rodriguez | #624 |
| 2010 | Michael Gaydos | #626 |
| 2010, 2012 | Emma Rios | #631-633, #677 |
| 2011–2013, 2018 | Humberto Ramos | #648-651, #654.1, #667–672, #676, #678–679, #684–685, #692–694, #699–700, #800 |
| 2011–2012 | Stefano Caselli | #652-654, #657, #659-660, #666, #673, #682-683, #686-687 |
| 2011 | Ty Templeton | #657 |
| 2011 | Nuno Plati | #657 |
| 2011 | Reilly Brown | #661-662 |
| 2011–2013, 2018 | Giuseppe Camuncoli | #663-665, #674-675, #680-681, #688-691, #695-697, #700, #800 |
| 2011, 2018 | Ryan Stegman | #665, #792-793 |
| 2012 | Matthew Clark | #679.1 |
| 2013 | Richard Elson | #698 |
| 2013 | Valentine De Landro | #699.1 |
| 2014 | Klaus Janson | #700.1-700.2 |
| 2014 | Timothy Green | #700.3-700.4 |
| 2014 | Sean Chen | #700.5 |
| 2017–2018 | Stuart Immonen | #789–791, #794, #797–800 |
| 2018 | Mike Hawthorne | #795-796, #800 |
| 2018 | Nick Bradshaw | #800 |
Vol. 2 (1999–2003)
Writers
| Years | Writer | Issues |
|---|---|---|
| 1999–2001 | Howard Mackie | (vol. 2) #1-13, #15-29 |
| 2000 | John Byrne | #13-14 |
| 2001–2003 | J. Michael Straczynski | #30-58 |
Pencilers
| Years | Penciler | Issues |
|---|---|---|
| 1999–2000 | John Byrne | (vol. 2) #1-18 |
| 2000 | Erik Larsen | (vol. 2) #19-21 |
| 2000–2003 | John Romita Jr. | (vol. 2) #22-27, #30-58 |
| 2001 | Joe Bennett | (vol. 2) #28 |
| 2001 | Lee Weeks | (vol. 2) #29 |
Vol. 3 (2014–2015)
Writers
| Years | Writer | Issues |
|---|---|---|
| 2014–2015 | Dan Slott | #1-18 |
| 2015 | Gerry Conway | #16.1-20.1 |
Pencilers
| Years | Penciler | Issues |
|---|---|---|
| 2014–2015 | Humberto Ramos | (vol. 3) #1-6, #8, #16-18 |
| 2014–2015 | Giuseppe Camuncoli | (vol. 3) #1, #7-9, #12–15 |
| 2015 | Olivier Coipel | (vol. 3) #9-11 |
| 2015 | Carlo Barberi | #16.1-20.1 |
Vol. 4 (2015–2017)
Writers
| Years | Writer | Issues |
|---|---|---|
| 2015–2017 | Dan Slott | #1-32 |
Pencilers
| Years | Penciler | Issues |
|---|---|---|
| 2015–2017 | Giuseppe Camuncoli | #1–5, #9–16, #19–24 |
| 2016 | Matteo Buffagni | #6-8 |
| 2016 | R.B. Silva | #17-18 |
| 2017 | Stuart Immonen | #25-31 |
| 2017 | Greg Smallwood | #32 |
Vol. 5 (2018–2022)
Writers
| Years | Writer | Issues |
|---|---|---|
| 2018–2021 | Nick Spencer | #1-74; #18.HU-20.HU; #50.LR-54.LR |
| 2020–2021 | Matthew Rosenberg | #50.LR-54.LR |
| 2021 | Ed Brisson | #68-69 |
| 2021 | Christos Gage | #74 |
| 2021–2022 | Zeb Wells | #75-76, #86, #93; #92.BEY |
| 2021–2022 | Kelly Thompson | #77-78, #91-92 |
| 2022 | Jed MacKay | #87-88, #92; #78.BEY, #92.BEY |
| 2022 | Cody Ziglar | #79-80, #84-85; #80.BEY, #92.BEY |
| 2022 | Saladin Ahmed | #81-82 |
| 2022 | Patrick Gleason | #83, #89-90 |
| 2022 | Geoffrey Thorne | #88.BEY |
Pencilers
| Years | Penciler | Issues |
|---|---|---|
| 2018–2020 | Ryan Ottley | #1-5, #11-13, #16, #23-25, #30-31, #37, #41-43, #49 |
| 2018–2021 | Humberto Ramos | #6-10, #17-18, #20, #22, #25, #49, #74 |
| 2018 | Steve Lieber | #6-7 |
| 2019 | Michele Bandini | #9-10 |
| 2019 | Chris Bachalo | #14-15 |
| 2019 | Alberto Jimenez Alburquerque | #16 |
| 2019 | Gerardo Sandoval | #19, #21 |
| 2019–2022 | Patrick Gleason | #25, #32-34, #50-52, #55, #61-62, #75-76, #83, #93 |
| 2019 | Kev Walker | #25-28 |
| 2019 | Francesco Manna | #29 |
| 2020, 2022 | Jan Bazaldua | #35-36, #88.BEY |
| 2020 | Iban Coello | #38-40 |
| 2020 | José Carlos Silva | #40 |
| 2020 | Kim Jacinto | #44 |
| 2020, 2022 | Bruno Oliveira | #44; #92.BEY |
| 2020–2022 | Mark Bagley | #45, #48–49, #53–54, #56–57, #60, #64, #66–69, #74, #89-90, #93; #92.BEY |
| 2020–2021 | Marcelo Ferreira | #46-47, #58-59, #67-69, #72-74 |
| 2021 | Federico Vicentini | #63-65, #70-72 |
| 2021 | Federico Sabbatini | #65, #71 |
| 2021–2022 | Carlos Gómez | #67-69, #72-74, #81, #87; #80.BEY |
| 2021 | Ze Carlos | #68-69, #72-74 |
| 2021 | Travel Foreman | #75 |
| 2021–2022 | Sara Pichelli | #77-78, #91-93 |
| 2021–2022 | Jim Towe | #78, #88.BEY |
| 2022 | Elenora Carlini | #78.BEY |
| 2022 | Michael Dowling | #79-80, #86, #88 |
| 2022 | Jorge Fornes | #82 |
| 2022 | Paco Medina | #84-85; #80.BEY |
| 2022 | Ivan Fiorelli | #80.BEY |
| 2022 | Fran Galán | #91-92; #92.BEY |
| 2022 | José Carlos Silva | #92 |
| 2022 | Luigi Zagaria | #92.BEY |
Vol. 6 (2022–2025)
Writers
| Years | Writer | Issues |
|---|---|---|
| 2022–present | Zeb Wells | #1-18, #21-60 |
| 2022–2023 | Dan Slott | #6, #31 |
| 2022 | Daniel Kibblesmith | #6 |
| 2022 | Jeff Loveness | #6 |
| 2023–2025 | Joe Kelly | #19-20, #61-62, #65, #69-70 |
| 2023 | Celeste Bronfman | #31 |
| 2023 | Cale Atkinson | #31 |
| 2023 | Albert Monteys | #31 |
| 2023 | Steve Foxe | #31 |
| 2024-2025 | Justina Ireland | #63-64, #66-68 |
| 2025 | Derek Landy | #65.DEATHS |
| Christos Gage | #68.DEATHS |
Pencilers
| Years | Penciler | Issues |
|---|---|---|
| 2022–2024 | John Romita Jr. | #1-5, #7-8, #11-13, #21-26, #31, #39-44, #49, #55-60 |
| 2022–2025 | Ed McGuinness | #6, #15-18, #27-30, #37-38, #50-54, #60-62, #69-70 |
| 2022–2023 | Patrick Gleason | #9, #32-36, #60 |
| 2022 | Nick Dragotta | #10 |
| 2023 | Michael Dowling | #14 |
| 2023 | Kyle Hotz | #14 |
| 2023 | Terry Dodson | #14, #19-20 |
| 2023 | Ryan Stegman | #14 |
| 2023 | Ze Carlos | #31 |
| 2023 | Emilio Laiso | #31, #55 |
| 2024 | Carmen Carnero | #45-46 |
| 2024 | Todd Nauck | #47-48, #51-54 |
| 2024 | Gleb Melnikov | #63-64 |
| 2025 | CAFU | #65 |
| 2025 | Kev Walker | #65.DEATHS |
| 2025 | Andrea Broccardo | #66-68 |
| 2025 | Mark Buckingham | #68.DEATHS |
Collected editions
See: Spider-Man Collected Editions
References
References
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- Morse, Ben. (October 10, 2012). "Marvel NOW! Q&A: ''Superior Spider-Man''". Marvel Comics.
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- "The Amazing Spider-Man ''(continuation of volume 1)''".
- DeFalco "1960s" in Gilbert (2008), p. 91: "Thanks to a flood of fan mail, Spider-Man was awarded his own title six months after his first appearance. ''Amazing Spider-Man'' began as a semi-monthly title, but was quickly promoted to a monthly."
- DeFalco "1960s" in Gilbert (2008), p. 91
- (March 1963). "The Amazing Spider-Man".
- DeFalco "1960s" in Gilbert (2008), p. 92: "Introduced in the lead story of ''The Amazing Spider-Man'' No. 2 and created by Stan Lee and Steve Ditko, the Vulture was the first in a long line of animal-inspired super-villains that were destined to battle everyone's favorite web-slinger."
- (October 2006). "HCA Heritage Comics Auction Catalog". Heritage Capital Corporation.
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- DeFalco "1960s" in Gilbert (2008), p. 93: "Dr. Octopus shared many traits with Peter Parker. They were both shy, both interested in science, and both had trouble relating to women...Otto Octavius even looked like a grown up Peter Parker. Lee and Ditko intended Otto to be the man Peter might have become if he hadn't been raised with a sense of responsibility"
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- (July 1964). "The Amazing Spider-Man".
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- (December 1965). "The Amazing Spider-Man".
- Daniels, Les. (1991). "Marvel: Five Fabulous Decades of the World's Greatest Comics". [[Abrams Books.
- (2010). "The Spider-Man Vault: A Museum-in-a-Book with Rare Collectibles Spun from Marvel's Web". [[Running Press]].
- Saffel, Steve. (2007). "Spider-Man the Icon: The Life and Times of a Pop Culture Phenomenon". [[Titan Books]].
- Manning, Matthew K.. (2012). "Spider-Man Chronicle Celebrating 50 Years of Web-Slinging". [[Dorling Kindersley]].
- (December 2001). "100 Greatest Marvels of All Time". Marvel Comics.
- DeFalco "1960s" in Gilbert (2008), p. 117: "To this day, no one really knows why Ditko quit. Bullpen sources reported he was unhappy with the way Lee scripted some of his plots, using a tongue-in-cheek approach to stories Ditko wanted handled seriously."
- (October 21, 2010). "Confidential Videotaped Deposition of John V. Romita". United States District Court, Southern District of New York: "Marvel Worldwide, Inc., et al., vs. Lisa R. Kirby, et al.".
- DeFalco "1960s" in Gilbert (2008), p. 119: "After teasing the readers for more than two years, Stan Lee finally allowed Peter Parker to meet Mary Jane Watson."
- David and Greenberger, p. 38
- Saffel "A Legend is Born", p. 27
- Manning "1960s" in Gilbert (2012), p. 46: "Stan Lee tackled the issues of the day again when, with artists John Romita and Jim Mooney, he dealt with social unrest at Empire State University."
- DeFalco "1960s" in Gilbert (2008), p. 122: "Stan Lee wanted to create a new kind of crime boss. Someone who treated crime as if it were a business...He pitched this idea to artist John Romita and it was Wilson Fisk who emerged in ''The Amazing Spider-Man'' #50."
- (July 1967). "The Amazing Spider-Man".
- DeFalco "1960s" in Gilbert (2008), p. 119: "The first original super-villain produced by the new Spider-Man team of Stan Lee and John Romita was the Rhino."
- (October 1966). "The Amazing Spider-Man".
- DeFalco "1960s" in Gilbert (2008), p. 121
- (March 1967). "The Amazing Spider-Man".
- (November 1969). "The Amazing Spider-Man".
- (April 1970). "The Amazing Spider-Man".
- [[Peter Sanderson. Sanderson, Peter]] "1970s" in Gilbert (2008), p. 155: "''Marvel Team-Up'' No. 1 inaugurated a new series in which Spider-Man teamed with a different hero in each issue.""
- Sanderson "1970s" in Gilbert (2008), p. 177: "Spider-Man already starred in two monthly series: ''The Amazing Spider-Man'' and ''Marvel Team-Up''. Now Marvel added a third, ''Peter Parker, The Spectacular Spider-Man'', initially written by Gerry Conway with art by Sal Buscema and Mike Esposito."
- "Giant-Size Spider-Man".
- "Spidey Super Stories".
- Goodgion, Laurel F.. (1978). "Young Adult Literature in the Seventies: A Selection of Readings". [[Rowman & Littlefield.
- Manning "1970s" in Gilbert (2012), p. 55: "Captain George Stacy had always believed in Spider-Man and had given him the benefit of the doubt whenever possible. So in Spider-Man's world, there was a good chance that he would be destined to die."
- "Gil Kane".
- Saffel "Bucking the Establishment, Marvel Style", p. 60: "The stories received widespread mainstream publicity, and Marvel was hailed for sticking to its guns."
- Daniels, pp. 152 and 154: "As a result of Marvel's successful stand, the Comics Code had begun to look just a little foolish. Some of its more ridiculous restrictions were abandoned because of Lee's decision."
- Manning "1970s" in Gilbert (2012), p. 59: "In the first issue of ''The Amazing Spider-Man'' to be written by someone other than Stan Lee, Roy Thomas was faced with the mammoth task of not only filling the vaunted writer's shoes but also solving the bizarre cliffhanger from the last issue."
- Manning "1970s" in Gilbert (2012), p. 61: "Stan Lee had returned to ''The Amazing Spider-Man'' for a handful of issues after leaving following issue No. 100 (September 1971). With issue No. 110. Lee once again departed the title into which he had infused so much of his own personality over his near 10-year stint as regular writer."
- Manning "1970s" in Gilbert (2012), p. 62: "[''The Amazing Spider-Man'' #111] marked the dawning of a new era: writer Gerry Conway came on board as Stan Lee's replacement. Alongside artist John Romita, Conway started his run by picking up where Lee left off."
- Sanderson "1970s" in Gilbert (2008), p. 159: "In June [1973], Marvel embarked on a story that would have far-reaching effects. ''The Amazing Spider-Man'' artist John Romita Sr. suggested killing off Spider-Man's beloved Gwen Stacy to shake up the book's status quo."
- Manning "1970s" in Gilbert (2012), p. 68: "This story by writer Gerry Conway and penciler Gil Kane would go down in history as one of the most memorable events of Spider-Man's life."
- David and Greenberger p. 49: "The idea of beloved supporting characters meeting their deaths may be standard operating procedure now but in 1973 it was unprecedented...Gwen's death took villainy and victimhood to an entirely new level."
- Saffel "Death and the Spider", p. 65: "Death struck again, with repercussions that would ripple through comics from that day forward."
- "Ross Andru".
- Manning "1970s" in Gilbert (2012), p. 72: "Writer Gerry Conway and artist Ross Andru introduced two major new characters to Spider-Man's world and the Marvel Universe in this self-contained issue. Not only would the vigilante known as the Punisher go on to be one of the most important and iconic Marvel creations of the 1970s, but his instigator, the Jackal, would become the next big threat in Spider-Man's life."
- Manning "1970s" in Gilbert (2012), p. 85: "To signify the start of this new era Spider-Man's new regular chronicler writer Len Wein would come onboard with this issue."
- Manning "1970s" in Gilbert (2012), p. 103: "As new regular writer Marv Wolfman took over the scripting duties from Len Wein and partnered with artist Ross Andru, Peter Parker decided to make a dramatic change in his personal life."
- Manning "1970s" in Gilbert (2012), p. 107: "Spider-Man wasn't exactly sure what to think about his luck when he met a beautiful new thief on the prowl named the Black Cat, courtesy of a story by writer Marv Wolfman and artist Keith Pollard."
- Martini, Frank. (December 2013). "Marv Wolfman's Bicentennial Battles". [[TwoMorrows Publishing]].
- Manning "1980s" in Gilbert (2012), p. 115: "Acclaimed writer Denny O'Neil had returned to Marvel and...took over as the regular writer on ''The Amazing Spider-Man'' from issue No. 207 (August [1980]) until the end of 1981."
- Manning "1980s" in Gilbert (2012), p. 114: "Writer Denny O'Neil and artist Frank Miller...used their considerable talents in this rare collaboration that teamed two other legends – Dr. Strange and Spider-Man."
- Manning "1980s" in Gilbert (2012), p. 120: "Writer Denny O'Neil teamed with artist Frank Miller to concoct a Spider-Man annual that played to both their strengths. Miller and O'Neil seemed to flourish in the gritty world of street crime so tackling a Spider/Punisher fight was a natural choice."
- Manning "1980s" in Gilbert (2012), p. 126: "Writer Roger Stern moved from the helm of ''Peter Parker, The Spectacular Spider-Man'' to sit behind the wheel as the new regular writer of ''The Amazing Spider-Man'' with this issue."
- Manning "1980s" in Gilbert (2012), p. 133: "Writer Roger Stern and artists John Romita Jr. and John Romita Sr. introduced a new – and frighteningly sane – version of the [Green Goblin] concept with the debut of the Hobgoblin."
- David and Greenberger, pp. 68–69: "Writer Roger Stern is primarily remembered for two major contributions to the world of Peter Parker. One was a short piece entitled 'The Kid Who Collects Spider-Man'...[his] other major contribution was the introduction of the Hobgoblin."
- Cronin, Brian. (May 10, 2010). "The Greatest Roger Stern Stories Ever Told!".
- Priest, Christopher J.. (May 2002). "Oswald: Why I Never Discuss Spider-Man". DigitalPriest.com.
- DeFalco "1980s" in Gilbert (2008), p. 231: "The six-issue story arc...ran through all the Spider-Man titles for two months."
- "Spider-Man fictional character". [[Britannica]].
- Manning "1980s" in Gilbert (2012), p. 169: "In this landmark installment [issue No. 298], one of the most popular characters in the wall-crawler's history would begin to step into the spotlight courtesy of one of the most popular artists to ever draw the web-slinger."
- Singh, Karanvir. (July 30, 2012). "''Amazing Spider-Man'' No. 328 Cover Art by Todd McFarlane sells for a record $657,250". BornRich.com.
- (1992). "McFarlane and the Visual Power of the Page". The Comics Journal.
- (2018). "Visual Narrative in Comics: The Dynamic Page". RIT Press.
- (2018). "Exhibition explores Marvel Comics artist's creative process". RIT News.
- (2019). "Comics Go to College: Cary Graphic Arts Exhibition Explores Marvel Artists' Process". RIT News.
- Saffel "Taking Stock: The 1990s" pp. 185–186
- [http://www.comics.org/search/advanced/process/?target=sequence&method=icontains&logic=False&keywords=&order1=date&order2=&order3=&start_date=&end_date=&title=&feature=&job_number=&pages=&script=&pencils=Mark+Bagley&inks=&colors=&letters=&story_editing=&genre=&characters=&synopsis=&reprint_notes=&story_reprinted=None¬es=&pub_name=&pub_notes=&brand=&brand_notes=&indicia_publisher=&is_surrogate=None&ind_pub_notes=&series=Amazing+Spider-Man&series_year_began=&series_notes=&tracking_notes=&issue_count=&is_comics=None&format=&color=&dimensions=&paper_stock=&binding=&publishing_format=&issues=&volume=&issue_title=&variant_name=&issue_date=&indicia_frequency=&price=&issue_pages=&issue_editing=&isbn=&barcode=&issue_notes=&issue_reprinted=None&is_indexed=None Mark Bagley's run on ''The Amazing Spider-Man''] at the Grand Comics Database
- Cowsill, Alan "1990s" in Gilbert (2012), p. 197: "Artist Mark Bagley's era of ''The Amazing Spider-Man'' hit its stride as Carnage revealed the true face of his evil. Carnage was a symbiotic offspring produced when Venom bonded to psychopath Cletus Kasady."
- Cowsill "1990s" in Gilbert (2012), p. 199
- Cowsill "1990s" in Gilbert (2012), p. 203
- "Comic Printing Errors". [[Gemstone Publishing]].
- David, Peter. (July 3, 1998). "The Illusion of Change".
- Hunt, James. (August 5, 2008). "The Marvel 500s: How Many Are There?".
- Cowsill "1990s" in Gilbert (2012), p. 246: "This new series heralded a fresh start for the web-slinger's adventures."
- Cowsill "2000s" in Gilbert (2012), p. 262: "J. Michael Straczynski and artist John Romita Jr. took the helm in this issue to create some of the best Spider-Man stories of the decade."
- (January 2002). "The Amazing Spider-Man".
- (July 2006). "The Amazing Spider-Man".
- (August 2006). "The Amazing Spider-Man".
- Cowsill "2000s" in Gilbert (2012), p. 316: "The issue [#573] also saw TV star Stephen Colbert team up with Spider-Man in a back-up story written by Mark Waid and drawn by Patrick Olliffe."
- Cowsill "2000s" in Gilbert (2012), p. 319: "With President Obama about to be inaugurated, Marvel produced a special variant issue of ''The Amazing Spider-Man'' complete with...a five-page back-up strip co-starring the President, written by Zeb Wells and drawn by Todd Nauck."
- Colton, David. (January 7, 2009). "Obama, Spider-Man on the same comic-book page". [[USA Today]].
- Cowsill "2010s" in Gilbert (2012), p. 327: "Written by Mark Waid and drawn by Paul Azaceta, the two-part opening mixed the real-world drama of the economic meltdown with some Spidey action."
- Cowsill "2010s" in Gilbert (2012), p. 334: "Spidey's adventures were about to take an exciting new direction as Dan Slott became the title's sole writer."
- Wigler, Josh. (July 25, 2010). "CCI: The Marvel: Spider-Man Panel".
- Moore, Matt. (December 26, 2012). "Marvel's Peter Parker in Perilous Predicament". [[Associated Press]] via [[ABC News (United States).
- Hanks, Henry. (December 31, 2012). "Events in landmark ''Spider-Man'' issue have fans in a frenzy". [[CNN]].
- Morris, Steve. (September 12, 2013). "Marvel in December: Welcome Back, Peter Parker, Bye Kaine". The Beat.
- Sacks, Ethan. (January 12, 2014). "Exclusive: Peter Parker to return from death in ''Amazing Spider-Man'' #1 this April". [[Daily News (New York).
- Miller, John Jackson. (May 9, 2014). "April 2014 comics sales: ''Amazing Spider-Man'' #1 best-selling issue of 21st Century". Comichron.com.
- Arrant, Chris. (June 30, 2015). "Peter Parker 'Stepped Up' As High Tech Tycoon In ''Amazing Spider-Man''". Newsarama.
- (June 23, 2018). "Amazing Spider-Man Being Relaunched By Spencer & Ottley". Comic Book Resources.com.
- Ross, Patrick. (2024-07-03). "Marvel teases 'The 8 Deaths of Spider-Man' for this fall".
- "'Amazing Spider-Man' Begins a New Era with Joe Kelly, Pepe Larraz and John Romita Jr.".
- ''Amazing Spider-Man'' Vol. 7. Marvel Comics.
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