Sustain pedal

History

A device similar to the sustain pedal in effect was invented by the piano pioneer Gottfried Silbermann; it was operated by the player's hands rather than a pedal. A later builder, Johann Andreas Stein, may have been the first to allow the player to lift the dampers while still playing; his device was controlled by a knee lever.

Until the onset of the Romantic era in music, the sustain pedal was considered a special effect, used only in particular circumstances. Only with the Romantics did a fairly constant use of the pedal come to be regarded as an essential element of piano sound.

Specifying pedaling in musical compositions

Appropriate use of the pedal is often left to the musician's discretion, but composers and music editors also use pedal marks to notate it. A common symbol for this is a horizontal line below the grand staff, which lifts up and down with the pedal. An alternative (and older) notation is the use of [[Image:Pedal Mark 1.svg|20px]] indicating where the sustain pedal should be depressed, and an asterisk [[Image:Music-pedalup.svg|15px]] showing where it should be lifted. Occasionally there is a general direction at the start of a movement instructing that the sustain pedal be applied continuously throughout. This may be marked with senza sordini ("without dampers"), or similar wording.

In General MIDI, the sustain pedal information is controlled by Control Change number 64 (CC 64).

Sostenuto pedal

The sostenuto pedal is a similar device that sustains only notes that are depressed at the time the pedal is depressed. It is usually the middle of three pedals; but in some upright pianos the middle pedal instead lowers a veil of felt between the hammers and the strings to function as a mute.

Half pedaling

For mechanical pianos, and simulated on some digital piano pedals, it is possible to press down the sustain pedal only partially such that the dampers just touch the strings very slightly. This technique for the advanced pianist is called half pedaling and allows a fine variation of the sound. It can be observed that with half pedaling the damping is more effective for the higher tones. An example for a musical piece that is played with half pedaling by some pianists is Beethoven's Moonlight Sonata. Most recent digital pianos also support this effect.

Other instruments

• Electronic keyboards often include a sustain pedal, a simple foot-operated switch, which controls the electronic or digital synthesis so as to produce a sustain effect. Several recent models use more sophisticated pedals that have a variable resistance, allowing half pedaling.
• Metallophones such as vibraphones, tubular bells, and high-end glockenspiels have sustain pedals that allow the metal bars to ring.
• The Cimbalom has a sustain (or damper) pedal, which allows its strings to ring or abruptly mutes them.

References

References

1. Ripin, Edwin M.. "Sustaining pedal".
2. NickFever. "MIDI CC List".
3. "YG-2500 - Overview - Yamaha - United States".