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Piano Concerto (Scriabin)

Work by Russian composer Alexander Scriabin


Work by Russian composer Alexander Scriabin

The Piano Concerto in F sharp minor, Op. 20, is an early work of the Russian composer Alexander Scriabin (1872–1915). Written in 1896, when he was 24, it was his first work for orchestra and the only concerto he composed. Scriabin completed the concerto in only a few days in the fall of 1896, but did not finish the orchestration until the following May (and only after constant urging by his publisher and patron Mitrofan Belyayev). Belyayev paid the composer 600 rubles (roughly $10,000 in current USD); it premiered in October 1897 and was finally published in 1898.

Instrumentation

The concerto is scored for 2 flutes and piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and solo piano.

Composition

The work consists of three movements, typically lasting about 28 minutes in total:

| Allegro :The main theme is introduced by the piano and then transferred to the orchestra while the piano accompanies in octaves. :[[File:Orchesterwerke Romantik Themen.pdf|450px|page=825]]

| Andante :The second movement begins in the key of F-sharp major which was for Scriabin "a ‘bright blue’ mystic key". It is in the form of theme and variations. The orchestra introduces the theme. The piano enters with the first variation, accompanying the orchestra's theme with arpeggios. The second variation is faster, marked allegro scherzando. The third variation is a slow funeral march. The fourth variation is marked allegretto and features intricate ornamentation; the clarinet introduces the melody, and interweaves counterpoint with the soloist. The movement ends with return of the theme to the orchestra, almost identical to the first variation. :[[File:Orchesterwerke Romantik Themen.pdf|450px|page=826]]

| Allegro moderato :This movement also develops material from the first movement. The first theme is condensed into the first two bars followed by a virtuosic arpeggio. A second, more lyrical theme then comes in A major before returning to the original F# minor theme, which is soon developed vigorously. After a climax occurs where the first theme is presented yet again, the second theme comes back, this time in F# major. After some short final thoughts, where there's a modulation to A minor, the key returns to F# major for a brief, but triumphant and emphatic coda, ending in 3 loud F# major chords. :[[File:Orchesterwerke Romantik Themen.pdf|450px|page=827]]

Recordings

PianistOrchestraConductorRecord CompanyYear of RecordingFormat
Heinrich NeuhausAll-Union Radio OrchestraNikolai GolovanovRussian Disc1946CD
SolomonPhilharmonia OrchestraIssay DobrowenEMI1949CD
Samuil FeinbergUSSR State TV and Radio Symphony OrchestraAlexander GaukBrilliant Classics1950CD
Paul Badura-SkodaWiener SymphonikerHenry SwobodaDeutsche Grammophon1951CD
Friedrich WührerPro Musica Orchester WienHans SwarowskyVox Records1954Vinyl
Dmitri BashkirovUSSR State Radio OrchestraKiril KondrashinArtia Recording Corporation1960CD
Stanislav NeuhausUSSR Symphony OrchestraVictor DubrovskyMelodiya1965Vinyl
Gennady CherkasovMoscow Symphony OrchestraAlexei CherkasovMelodiyaVinyl
Michael PontiHamburg Symphony OrchestraHans DrewanzTurnabout1970CD
Vladimir AshkenazyLondon Philharmonic OrchestraLorin MaazelDecca1971CD
Igor ZhukovEstonian State Symphony OrchestraNeeme JärviMelodiya1978Vinyl
Garrick OhlssonCzech Philharmonic OrchestraLibor PešekSupraphon1987CD
Abbott RuskinMIT Symphony OrchestraDavid EpsteinPantheon1987CD
Roland PöntinenStockholm Philharmonic OrchestraLeif SegerstamBIS Records1989CD
Aleksey NasedkinUSSR State Symphony OrchestraEvgeny SvetlanovMelodiya1990CD
Alexei GolovinMoscow Symphony OrchestraVladimir PonkinLe Chant du Monde1990CD
Nikolai DemidenkoBBC Symphony OrchestraAlexander LazarevHyperion Records1993CD
Gerhard OppitzFrankfurt Radio Symphony OrchestraDmitri KitaenkoRCA1993CD
Evelyne DubourgSofia Philharmonic OrchestraNicholas UljanovTudor Records1993CD
Karl-Andreas KollySymphony Orchestra BaselArmin JordanPan Classics1995CD
Elena KuznetsovaRussian State Symphony OrchestraIvan ShpillerTriton1995CD
Claire DésertOrchestre philharmonique de StrasbourgTheodor GuschlbauerAria Music1995CD
Mee-Hyun AhnThe Moscow OrchestraMikael AvetisyanClassical Assembly1996CD
Evgeni MikhailovState Symphony OrchestraVladimir PonkinVista Vera1996CD
Michael PontiPhilharmonisches Orchester des Vogtland Theaters PlauenPaul TheissenDante1996CD
Konstantin ScherbakovMoscow Symphony OrchestraIgor GolovchinNaxos Records1996CD
Arkady SevidovRussian Philharmonic OrchestraKonstantin KrimetsArte Nova1996CD
Peter JablonskiDeutsches Symphonie-Orchester BerlinVladimir AshkenazyDecca1996CD
Anatol UgorskiChicago Symphony OrchestraPierre BoulezDeutsche Grammophon1996CD
Viktoria PostnikovaResidentie Orchestra (The Hague)Gennady RozhdestvenskyChandos1998CD
Artur PizarroNorth German Radio Philharmonic OrchestraMartyn BrabbinsCollins Classics1998CD
Roger WoodwardSydney Symphony OrchestraEdo de WaartABC Classics1999CD
Claudio CrismaniLondon Philharmonic OrchestraThomas SanderlingReal Sound2001CD
Aleksey NasedkinTchaikovsky Symphony OrchestraVladimir FedoseyevVista Vera2005CD
Andrei KorobeinikovAcademic Symphony Orchestra of St. Petersburg PhilharmonyMikhail SnitkoOlympia Records2006CD
Nikita FitenkoRussian Philharmonic OrchestraMarlan CarlsonClassical Records2007CD
Pavlina DokovskaBulgarian National Radio OrchestraVladimir GhiaurovGega New2007CD
Oleg MarshevSouth Jutland Symphony OrchestraVladimir ZivaDanacord2008CD
Yevgeny SudbinBergen Philharmonic OrchestraAndrew LittonBIS Records2013SACD
Kirill GersteinOslo Philharmonic OrchestraVasily PetrenkoLawo Classics2017CD
Xiayin WangRoyal Scottish National OrchestraPeter OundjianChandos2018SACD
Daniil TrifonovMariinsky OrchestraValery GergievDeutsche Grammophon2020CD
Jean-Philippe CollardBilkent Symphony OrchestraEmil TabakovLa Dolce Volta2021CD
Julius AsalDanish National Symphony OrchestraFabio LuisiDeutsche Grammophon2025CD

References

References

  1. Ates Orga. "Scriabin & Tchaikovsky: Piano Concertos". Hyperion Records.
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