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Minar-e-Pakistan
Monument in Lahore, Pakistan
Monument in Lahore, Pakistan
| Field | Value |
|---|---|
| name | Minar-e-Pakistan |
| native_name | مینارِ پاکستان |
| image | Minar e Pakistan 2021.jpg |
| caption | Minar-e-Pakistan (2021) |
| location | Greater Iqbal Park, Circular Road, Lahore, Punjab, Pakistan |
| designer | Nasreddin Murat-Khan |
| type | National monument |
| material | Reinforced concrete, marble, stone, steel |
| width | 97.5 m (diameter) |
| height | 70 m |
| begin | |
| complete | |
| dedicated_to | Lahore Resolution (Pakistan Resolution) |
| coordinates | |
| extra_label | Status |
| extra | National Tower of Pakistan |
Minar-e-Pakistan (; ) is a national monument located in Lahore, Punjab, Pakistan. The tower stands in the Greater Iqbal Park, an urban park in Lahore. The tower was built during 1960–1968 on the site where on 23 March 1940, the All-India Muslim League passed the Lahore Resolution which was later called the Pakistan Resolution – the first official call for a separate and independent homeland for the Muslims of British India, as espoused by the two-nation theory. The resolution eventually helped lead to the creation of Pakistan in 1947.
Construction

On 23 March 1960, the foundation stone of the tower was laid by Akhter Husain, the then–governor of West Pakistan. The construction of the tower took eight years, and was completed on 22 March 1968 at an estimated cost of seven million Pakistani rupees. The money was collected by imposing an additional tax on cinema and horse racing tickets at the demand of the governor.
Mian Abdul Khaliq was assigned as the main contractor for the project. Mukhtar Masood, a well-known writer and the then–deputy commissioner of Lahore, was one of the members who undertook important role for the completion of the project.
Design

The tower reflects a blend of Mughal, Islamic and modern architecture. The tower was designed and supervised by, Nasreddin Murat-Khan, a Russian-born Pakistani architect and civil engineer.
The tower stands on a five-pointed star-shaped platform that is enclosed by two crescent-shaped pools facing each other. One crescent pool is lined with red marble, the other is lined with green marble. The lower portion of the tower itself is shaped into a flower. The area surrounding the monument is covered with flowers.
Structure

Construction material of the tower is chiefly of reinforced concrete alongwith work of marble and stones on the floors, walls and upstairs. The small dome on the top is made of steel with a pinnacle. The base of the tower rises 8 m from the ground while the tower stands at a height of 62 m on the base. This makes the total height of the tower around 70 m above the ground. The ten unfolding petals of the flower-like base are 9 m high. The circular diameter of the tower is about 97.5 m. The rostrum is built of patterned tiles, and faces the Mughal-era Badshahi Mosque. The base consists of four platforms that are made of different types of marble and stones. To symbolise the humble beginning of the struggle for freedom, the first platform is built with uncut stones from Taxila, the second platform is made of hammer-dressed stones, and the third platform is made of chiselled stones. The polished white marble used in the fourth and final platform of the base depicts the success of the Pakistan Movement. The structure uses the imagery of crescents, stars and signs that symbolise the culture of Pakistan, similarly seen in the national flag of the country.
Inscriptions
At the base, there are floral inscriptions on ten converging white marble commemorative plaques. The inscriptions include the text of the Lahore Resolution in Urdu, Bengali and English, as well as the Delhi Resolution's text, which was passed on 9 April 1946. On different plaques, Quranic verses and 99 names of Allah are inscribed in the Arabic calligraphy. Other important inscriptions included on the monument are the national anthem of the country in Urdu and Bengali, excerpts from the speeches of Muhammad Ali Jinnah in Urdu, Bengali and English; and a few couplets written by Muhammad Iqbal.
Significance
Minar-e-Pakistan is considered the national emblem of Pakistan, and an expression of post-colonial national identity.
Notable visits and events
On 21 February 1999, the then Indian Prime Minister Atal Bihari Vajpayee became the first Indian leader to visit Minar-e-Pakistan (previous Indian state visits to Pakistan had not included a visit to Lahore). Vajpayee's visit was compared to Nixon's visit to China in terms of significance.
On 9 September 2012, the erstwhile Indian Minister for External Affairs S. M. Krishna with Indian High Commissioner Sharat Sabharwal, also made a visit to the monument. Krishna wrote his remarks in visitors album of the monument.
The location is often used for political and religious events. It is also known as the "Liberty Tower of Pakistan". The monument has served as the location for a number of rallies. The rallies have often caused damage to the surrounding flora, according to the Parks and Horticulture Authority. In 2014, the Government of Punjab considered banning any large political or non-political gatherings. In the past, the tower was used to provide a panoramic view to visitors who could access the top by climbing up the spiral stairs or using an elevator. However, this facility was later withdrawn due to a few suicide incidents.
Gallery
File:Minar-e-Pakistan Damn cruze DSC 0127a.jpg|View from the Greater Iqbal Park File:The Minar-e-Pakistan.jpg|A lit view of the monument in 2014 File:Minar e pakistan in blue sky with shadow.jpg|A view under cloudy sky with shadow on the marble floor File:Minar-e-Pakistan by ZILL NIAZI 2.jpg|An aerial view File:Shahi Mosque 10.jpg|The richly framed by an aisle arch File:Minar-E-Pakistan Lights.jpg|The tower lit during special events File:Minar e Pakistan night image.jpg|At night File:Minar-e-Pakistan01.jpg|Another night view
Bibliography
- State of Human Rights in Pakistan. Pakistan, Human Rights Commission of Pakistan, 2004.
References
References
- Khan, Ahmed Z.. (2013-03-01). "On Design and Politics of Co-producing Public Space: The Long Marches and the Reincarnation of the 'Forecourt' of the Pakistani Nation". International Journal of Islamic Architecture.
- (1998). "Pakistan, A Modern History". [[St. Martin's Press]].
- (26 July 2021). "مینارِ پاکستان: قراردادِ لاہور کی یادگار جس کی تعمیر کی رقم سینما گھروں اور گھڑ دوڑ کی ٹکٹوں سے جمع کی گئی". [[BBC Urdu]].
- (17 March 2022). "Revisiting Minar-i-Pakistan". [[Pakistan Today]].
- (18 April 2017). "Literary Notes: Mukhtar Masood: a stylish and patriotic prose writer of Urdu". Dawn.
- (2019). "An Elephant in the Room". Duke University Press.
- (24 March 2019). "Minar-e-Pakistan: Re-living history". [[Pakistan Today]].
- Khan, Ahmed Z.. (2013-03-01). "On Design and Politics of Co-producing Public Space: The Long Marches and the Reincarnation of the 'Forecourt' of the Pakistani Nation". International Journal of Islamic Architecture.
- Meral Murat Khan. (22 March 2009). "Remembrance: The man behind the masterpiece". [[Dawn (newspaper).
- Jamal, Amna Nasir. (March 23, 2002). "The Pakistan Day memorial". Dawn.
- (30 October 2016). "Minar-e-Pakistan gets major facelift".
- Minahan, James. "The Complete Guide to National Symbols and Emblems". [[ABC-CLIO]].
- "National Symbols of Pakistan". Ministry of Information, Broadcasting and National Heritage – Government of Pakistan.
- (2010). "Relations of NDA and UPA with Neighbours". Gyan Publishing House.
- Wheeler, Nicholas J.. (2018). "Trusting Enemies: Interpersonal Relationships in International Conflict". [[Oxford University Press]].
- (9 September 2012). "SM Krishna visits 'Minar-e-Pakistan'". [[DNA India]].
- (10 September 2012). "Krishna visits Lahore monument". Dawn.
- (23 March 2013). "PTI to stage rally at Minar-e-Pakistan today". The News International.
- (25 November 2014). "City diary : Govt mulls banning public rallies at Minar-i-Pakistan". [[Dawn (newspaper).
- (23 March 2007). "A park in search of a resolution". Dawn.
- (29 April 2003). "Man jumps from Minar-i-Pakistan". Dawn.
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