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Manunggul Jar

Neolithic secondary burial jar and Philippine national treasure

Manunggul Jar

Neolithic secondary burial jar and Philippine national treasure

FieldValue
image_fileManunggul Jar.jpg
image_size240px
titleManunggul Jar
year890-711 BCE
typeBurial Jar
height_metric66.5
diameter_metric51
metric_unitcm
imperial_unitin
dimensions_ref
cityManila
museumNational Museum of Anthropology
italic titleno

The Manunggul Jar is a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan, Philippines. It dates from 890–710 B.C. and the two prominent figures at the top handle of its cover represent the journey of the soul to the afterlife.

National Museum of Anthropology

The Manunggul Jar is widely acknowledged to be one of the finest Philippine pre-colonial artworks ever produced and is considered a masterpiece of Philippine ceramics. It is listed as a national treasure and designated as item 64-MO-74 by the National Museum of the Philippines. It is now housed at the National Museum of Anthropology and is one of the most popular exhibits there. It is made from clay with some sand soil.

Discovery

The Manunggul Jar was found by Robert B. Fox and Miguel Antonio in 1964. It was found alongside the remains of a Tabon Man. It was recovered by Robert in Chamber A of Manunggul Cave in Southwestern Palawan. Manunggul Cave is one of the Tabon Caves in Lipuun Point. The Tabon Caves are known to be a site of jar burials with artifacts dating in a range from 2300 to 50 B.C. (4250-2000 BP). Chamber A dates as a Late Neolithic burial site (890-710 BC). Seventy-eight jars and earthenwares, including the Manunggul Jar, were discovered on the subsurface and surface of Chamber A. Each artifact varied in design and form but was evidently a type of funerary pottery.

First excavation and response to discovery

The first ever excavation that discovered this burial jar was in the year 1964 by Robert Fox. During that time, he and his team were excavating the Tabon Cave Complex, specifically in the Lipuun Point. Fox's excavation was most unusual in many ways.

In addition to the jar, human bones which were covered in red paint were also found. Like Egyptian burial practices, the jar also had numerous bracelets.

"... is perhaps unrivaled in Southeast Asia, the work of an artist and a master potter." — Robert Fox, describing the jar's origin, based from its appearance.

Design of the Jar

The Manunggul Jar shows that the Filipinos' maritime culture is paramount that it reflected its ancestors' religious beliefs. Many epics around the Philippines would tell how souls go to the next life, aboard boats, pass through the rivers and seas. This belief is connected with the Austronesian belief of the anito. The fine lines and intricate designs of the Manunggul Jar reflect the artistry of early Filipinos. These designs are proof of the Filipinos' common heritage from the Austronesian-speaking ancestors despite the diversity of the cultures of the Filipinos. The upper part of the Manunggul jar, as well as the cover, is carved with curvilinear scroll designs (reminiscent of waves on the sea) which are painted with hematite.

Close-up of the two figures in a boat at the lid of the jar

Early Filipinos believed that a man is composed of a body, a life force called ginhawa, and a kaluluwa. This explains why the design of the cover of the Manunggul Jar features three faces - the soul, the boatman, and the boat itself. On the faces of the figures and on the prow of the boat are eyes and mouth

The lid of the Manunggul Jar provides a clear example of a cultural link between the archeological past and the ethnographic present. It also signifies the belief of ancient Filipinos in life after death.

Jar burial

The practice of jar burial is an instance of secondary burial, in which only the bones of the deceased are reburied. The jar itself was not interred.

References

References

  1. (1976). "Art: Perception & Appreciation". Goodwill Trading Co..
  2. "Museum of the Filipino People - Archaeological Treasures (Kaban ng Lahi)". [[National Museum of the Philippines]].
  3. pp. 40-41 Father Gabriel Casal & Regalado Trota Jose, Jr., Eric S. Casino, George R. Ellis, Wilhelm G. Solheim II, ''The People and Art of the Philippines'', printed by the Museum of Cultural History, UCLA (1981)
  4. [[John N. Miksic. Miksic, J.N.]] (2003). Earthenware in Southeast Asia: Proceedings of the Singapore Symposium on Premodern Southeast Asian Earthenwares. NUS Press.
  5. Guillermo, A.R. (2012). History Dictionary of the Philippines. Scarescrow Press. p 275
  6. National Museum of the Philippines. (2014). Manunggul Jar. Retrieved November 20, 2015 from [http://www.nationalmuseum.gov.ph/nationalmuseumbeta/Collections/Archaeo/Manunggul.html National Museum, Manunggul jar] {{Webarchive. link. (2020-01-08 .)
  7. Fox, R.B. (1970). The Tabon Cave: archaeological explorations and excavations on Palawan Island, Philippines. National Museum. University of Michigan. p 112-114
  8. Chua, M. (1995, April 27). The Arts of the Philippines. Retrieved November 22, 2015, from [http://www.artesdelasfilipinas.com/archives/50/the-manunggul-jar-as-a-vessel-of-history The manunggul jar as a vessel of history]
  9. (27 August 2014). "15 Most Intense Archaeological Discoveries in Philippine History".
  10. Wilhelm G. Solheim, II, "The Nusantao Hypothesis: The Origins and Spread of Austronesia Speakers," Asian Perspectives XXVI, 1984-85, pp. 77-78; and Peter Bellwood, "Hypothesis for Austronesian Origins," Asian Perspectives, XXVI, 1984-85, pp. 107-117.
  11. Zeus A. Salazar, "Ang Kamalayan at Kaluluwa: Isang Paglilinaw ng Ilang Konsepto sa Kinagisnang Sikolohiya" in Rogelia Pe-Pua, ed., Sikolohiyang Pilipino: Teorya, Metodo at Gamit (Quezon City: Surian ng Sikolohiyang Pilipino, 1982) pp. 83-92; and Prospero R. Covar, Kaalamang Bayang Dalumat ng Pagkataong Pilipino, p. 9-12 (Lekturang Propesoryal bilang tagapaghawak ng Kaalamang Bayang Pag-aaral sa taong 1992, Departamento ng Antropolohiya, Dalubhasaan ng Agham Panlipunan at Pilosopiya, Unibersidad ng Pilipinas. Binigkas sa Bulwagang Rizal, UP Diliman, Lungsod Quezon, Ika-3 ng Marso, 1993).
  12. (4 August 2011). "Manunggul Jar And The Early Practice Of Burial In The Philippines".
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