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Mandukya Upanishad

Ancient Sanskrit scripture

Mandukya Upanishad

Ancient Sanskrit scripture

FieldValue
imageMandukya Upanisad verses 1-3, Atharvaveda, Sanskrit, Devanagari.jpg
caption*Mandukya Upanisad* verses 1 to 3 (Sanskrit, Devanagari script)
nameMandukya
Devanagariमाण्डूक्य
Sanskrit_transliterationMāṇḍūkya
typeMukhya Upanishad
VedaAtharvaveda
verses12
commentaryGaudapada, Adi Shankara, Madhvacharya

The Mandukya Upanishad (, ) is the shortest of all the Upanishads, and is assigned to Atharvaveda. It is listed as number 6 in the Muktikā canon of 108 Upanishads.

It is in prose, consisting of twelve short verses, and is associated with a Rig Vedic school of scholars.

The Mandukya Upanishad is recommended in the Muktikā Upanishad, in a dialogue between two of the most important characters of the Ramayana, Rama and Hanuman, as the one Upanishad that alone is sufficient for knowledge to gain moksha, and as sixth in its list of ten principal Upanishads. The text is also notable for inspiring Gaudapada's Mandukya Karika a classic for the Vedanta school of Hinduism. The Mandukya Upanishad is among the often cited texts on chronology and the philosophical relationship between Hinduism and Buddhism.

Etymology

The root of Mandukya is sometimes considered as Manduka (Sanskrit: मण्डूक) which has several meanings. Some of its meanings include "frog", "a particular breed of horse", "the sole of horse's hoof", or, "Spiritual distress" Some writers have suggested that "frog" is the etymological root for Mandukya Upanishad.

Another root for the Upanishad's name is Mānduka (Sanskrit: माण्डूक) which literally is "a Vedic school" or means "a teacher". Paul Deussen states the etymological roots of Mandukya Upanishad to be a "half lost school of Rigveda". This school may be related to the scholar named Hrasva Māṇḍūkeya, whose theory of semivowels is discussed in Aitareya Aranyaka of Rigveda.

Applying the rules of sandhi, the text is also called Mandukyopanishad.

Chronology and authorship

Chronology

The chronology of Mandukya Upanishad, like that of other Upanishads, is uncertain and contested. The chronology is difficult to resolve because all opinions rest on scanty evidence, an analysis of archaism, style and repetitions across texts, driven by assumptions about likely evolution of ideas, and on presumptions about which philosophy might have influenced which other Indian philosophies.

Several academics have dated the Mandukya Upanishad to the early centuries of the Common Era. The Japanese scholar of Vedic, Hindu and Buddhist scriptures, Hajime Nakamura, dated the Mandukya Upanishad to "about the first or second centuries A.D." The scholar of South Asian religions, Richard E. King too dated the Mandukya Upanishad at the first two centuries of the Common Era. Indologist and Sanskrit scholar Patrick Olivelle states, "we have the two late prose Upanisads, the Prasna and the Mandukya, which cannot be much older than the beginning of the common era".

Mahony, (writing for the MacMillan Encyclopedia of Religion) on the other hand, states that Mandukya Upanishad probably emerged in the late fifth and early fourth centuries BCE, along with Prashna and Maitri Upanishads. Phillips lists Mandukya Upanishad before and about the time the Shvetashvatara Upanishad, the Maitri Upanishad, as well as the first Buddhist Pali and Jaina canonical texts were composed. posits a view similar to Phillips, placing Mandukya's chronological composition in the fifth, that is the last group of ancient Principal Upanishads.

Authorship

The text of the Mandukya Upanishad is fully incorporated in the Mandukya Karika, a commentary attributed to the 6th century CE Gaudapada, and is not known to exist independent of this commentary. Isaeva states that some scholars, including Paul Deussen, presumed that Gaudapada may be its author; however, there is no historical or textual evidence for this hypothesis. Scholars consider Mandukya Upanishad as a Principal Upanishad with more ancient origins.

Structure

In contrast to the older Upanishads, the Mandukya Upanishad is very short, with clear and concise formulations. It has twelve short prose paragraphs.

Contents

The Mandukya Upanishad is an important Upanishad in Hinduism, particularly to its Advaita Vedanta school. It succinctly presents several central doctrines, namely that "the universe is Brahman," "the Self (Atma) exists and is Brahman," and "the four states of consciousness". The Mandukya Upanishad also presents several theories about the syllable Aum, and that it symbolizes self.

''Aum'' in the Mandukya Upanishad

The Mandukya Upanishad is one of several Upanishads that discuss the meaning and significance of the syllable Aum (Om).

The Mandukya Upanishad opens by declaring, "Aum!, this syllable is this whole world". Thereafter it presents various explanations and theories on what it means and signifies.).

Aum as all states of time

In verse 1, the Upanishad states that time is threefold: the past, the present and the future, that these three are "Aum". The four fourth of time is that which transcends time, that too is "Aum" expressed.

Aum as all states of Atman

In verse 2, states the Upanishad, "this brahman is the Whole. Brahman is this self (ātman); that [brahman] is this self (ātman), consisting of four corners."

Aum as all states of consciousness

In verses 3 to 6, the Mandukya Upanishad enumerates four states of consciousness: wakeful, dream, deep sleep and the state of sa (being one with Self, the oneness of Self). These four are A + U + M + "without an element" respectively.

Aum as all of etymological knowledge

In verses 9 to 12, the Mandukya Upanishad enumerates fourfold etymological roots of the syllable "Aum". It states that the first element of "Aum" is A, which is from Apti (obtaining, reaching) or from Adimatva (being first). The second element is U, which is from Utkarsa (exaltation) or from Ubhayatva (intermediateness). The third element is M, from Miti (erecting, constructing) or from Mi Minati, or apīti (annihilation). The fourth is without an element, without development, beyond the expanse of universe. In this way, states the Upanishad, the syllable Aum is the Atman (the self) indeed.

Three states of consciousness and the fourth

The Mandukya Upanishad describes three states of consciousness, namely waking (jågrat), dreaming (svapna), and deep sleep (suṣupti),Arvind Sharma, Sleep as a State of Consciousness in Advaita Vedånta. State University of New York Pressadvaita.org.uk, Om – three states and one reality (An interpretation of the Mandukya Upanishad) and 'the fourth', beyond and underlying these three states:

  1. The first state is the waking state, in which we are aware of our daily world. "It is described as outward-knowing (bahish-prajnya), gross (sthula) and universal (vaishvanara)". This is the gross body.
  2. The second state is the dreaming mind. "It is described as inward-knowing (antah-prajnya), subtle (pravivikta) and burning (taijasa)". This is the subtle body.
  3. The third state is the state of deep sleep. In this state the underlying ground of consciousness is undistracted, "the Lord of all (sarv'-eshvara), the knower of all (sarva-jnya), the inner controller (antar-yami), the source of all (yonih sarvasya), the origin and dissolution of created things (prabhav'-apyayau hi bhutanam)". This is the causal body.
  4. Turiya, "the fourth," is the background that underlies and transcends the three common states of consciousness. In this consciousness both absolute and relative, saguna brahman and Nirguna Brahman, are transcended. It is the true state of experience of the infinite (ananta) and non-different (advaita/abheda), free from the dualistic experience which results from the attempts to conceptualise ( vikalpa) reality. It is the state in which ajativada, non-origination, is apprehended.

According to Raju, the idea of four states of Atman as awake, dream-filled sleep, deep sleep, and the "original pure state" is "anticipated in chapters 8.7 through 8.12 of Chandogya Upanishad.

Theory and nature of Atman

The verses 3 through 7 discuss four states of Atman (Self).

Verse 3 of the Upanishad describes the first state of Self as outwardly cognitive with seven limbs, nineteen mouths, enjoying the gross, a state of Self common in all of human beings.

The Mandukya Upanishad, in verse 4, asserts the second state of Self as inwardly cognitive with seven limbs, nineteen mouths, enjoying the exquisite, a state of brilliant Self.

The Upanishad's verse 5 states the third state of Self as one without desire or anticipations, where pure conscience is his only mouth, where he is in unified cognition, enjoying the delight, a state of blissful Self.

The verses 6 and 7 of the Upanishad states the fourth state of Self as one beyond all the three, beyond extrospective state, beyond introspective state, beyond cognitive state, the state of ekatmya pratyaya sara (one with the Self), tranquil, benign, advaita (without second). He then is the Self, just Atman, the one which should be discerned.

Johnston summarizes these four states of Self, respectively, as seeking the physical, seeking inner thought, seeking the causes and spiritual consciousness, and the fourth state is realizing oneness with the Self, the Eternal.

Similarities and differences with Buddhist teachings

Scholars contest whether Mandukya Upanishad was influenced by Buddhist theories along with the similarities and differences between Buddhism and Hinduism in light of the text. According to Hajime Nakamura, the Mandukya Upanishad was influenced by Mahayana Buddhism and its concept of śūnyatā. Nakamura states, "many particular Buddhist terms or uniquely Buddhist modes of expression may be found in it",{{refn|group=note|Nakamura: :* "As was pointed out in detail in the section titled Interpretation, many particular Buddhist terms or uniquely Buddhist modes of expression may be found in it." :* "From the fact that many Buddhist terms are found in its explanation, it is clear that this view was established under the influence of the Mahayana Buddhist concept of Void." :* "Although Buddhistic influence can be seen in the Maitri-Upanishad, the particular terms and modes of expression of Mahayana Buddhism do not yet appear, whereas the influence of the Mahayana concept of Void can clearly be recognized in the Mandukya-Upanisad." :* "Although Mahayana Buddhism strongly influenced this Upanisad, neither the mode of exposition of the Madhyamika school nor the characteristic terminology of the Vijnanavada school appears."}} such as adrsta, avyavaharya, agrahya, sa, acintya, prapancopasama. According to Randall Collins the Mandukya Upanishad "includes phrases found in the Prajnaparamitrasutras of Mahayana Buddhism."

According to Michael Comans, Vidushekhara also notes that the term prapañcopaśama does not appear in pre-Buddhist Brahmanic works, but in contrast to Nakamura he does not conclude that the term was taken over from Mahayana Buddhism. According to Comans, eventual Mahayana origins of this term are no more than a possibility, and not a certainty.

Comans also disagrees with Nakamura's thesis that "the fourth realm (caturtha) was perhaps influenced by the Sunyata of Mahayana Buddhism." According to Comans,

Comans further refers to Nakamura himself, who notes that later Mahayana sutras such as the Laṅkāvatāra Sūtra and the concept of Buddha-nature, were influenced by Vedantic thought. Comans concludes that

Jacobs lists adrsta and other terms in more ancient, pre-Buddhist literature such as the Brihadaranyaka Upanishad.

Isaeva states that there are differences in the teachings in the texts of Buddhism and the Mandukya Upanishad of Hinduism, because the latter asserts that citta "consciousness" is identical with the eternal and immutable atman "Self" of the Upanishads. In other words, Mandukya Upanishad and Gaudapada affirm the Self exists, while Buddhist schools affirm that there is no soul or self.

Reception

Muktika Upanishad

Rama and Hanuman of the Hindu Epic Ramayana, in Muktika Upanishad, discuss moksha (freedom, liberation, deliverance). Rama, therein, recommends Mandukya as first among 108 Upanishads, as follows, The Mandukya alone is sufficient for the deliverance of the aspirant, if even then, the knowledge lacks, then read the ten Upanishads.

He attains the goal if he reads the thirty two Upanishads, if you just wish deliverance, while death is near, read, then, the hundred and eight Upanishads. |Muktika Upanishad I.i.26-29, Translated by Paul Deussen}}

Classical commentators

Gaudapada

The oldest known extant metrical commentary on this Upanishad was written by Gaudapada, This commentary, called the Māndūkya-kārikā, is the earliest known systematic exposition of Advaita Vedanta.

Raju states that Gaudapada took over the Buddhist doctrines that ultimate reality is pure consciousness (vijñapti-mātra), and "the four-cornered negation" (चतुष्कोटि विनिर्मुक्तः). Raju further states that Gaudapada "weaved [both doctrines] into a philosophy of the Mandukaya Upanisad, which was further developed by Shankara". Other scholars such as Murti state, that while there is shared terminology, the doctrines of Gaudapada and Buddhism are fundamentally different. Chapter Four uses Buddhist terminology and incorporates Buddhist doctrines, state both Murti and Richard King, but Vedanta scholars who followed Gaudapada through the 17th century never referenced nor used Chapter Four, they only quote from the first three.}}

Adi Shankara

Adi Shankara, a disciple of Govinda Bhagavatpada who himself was either a direct or a distant disciple of Gaudapada, further made commentaries on Gaudapada Mandukya karika. Mandukya Upanishad forms one of the basis of Advaita Vedanta as expounded by Adi Shankara.

Madhvacharya

Madhvacharya, the propounder of Dvaita Vedanta, wrote commentaries on Mandukya Upanishad. He presents a theistic and emotional perspective on the scripture, attributing his insights to Śruti. His commentary emphasizes bhakti yoga and uses Vishnu and his attributes as similes to elucidate the verses of the Mandukya Upanishad.

Modern commentators

Swami Rama has provided an interpretation of this Upanishad from the experiential standpoint in his commentary Enlightenment without God.

Ramachandra Dattatrya Ranade calls the aphoristic style of Mandukya Upanishad as highly influential on the Sutras of Indian philosophies that followed it, and that the Upanishad has served as a foundational text of the major Vedanta school of Hinduism. He states, We are told [in Mandukya Upanishad] how, "the syllable Om is verily all that exists. Under it is included all the past, the present and the future, as well as that which transcends time. Verily all this is Brahman. The Atman is Brahman. This Atman is four-footed. The first foot is the Vaisvanara, who enjoys gross things, in the state of wakefulness. The second foot is the Taijasa, who enjoys exquisite things in the state of dream. The third is the Prajna who enjoys bliss in the state of deep sleep. The fourth is Atman, who is alone without a second, calm, holy and tranquil". This passage has been verily the basis upon which all the later systems of Vedantic philosophy have come to be built. |RD Ranade}}

Ranade's views on the importance of Mandukya Upanishad and Gaudapada's commentary on Vedanta school, particularly Advaita Vedanta sub-school of Hinduism, is shared by modern era scholars such as Hacker, Vetter and others.

Johnston states that Mandukya Upanishad must be read in two layers, consciousness and vehicles of consciousness, Self and nature of Self, the empirical and the eternal. The text aphoristically condenses these layers of message, both in literal and metaphorical sense.

William Butler Yeats, the Irish poet, was inspired by the Upanishads and Mandukya Upanishad was among the texts he commented on.

David Stoll's 1987 Piano Quartet is inspired by three Upanishads, one being Mandukya Upanishad, other two being Katha and Isha Upanishads.

Notes

References

Sources

Published sources

Web-sources

References

  1. It discusses the syllable [[Aum]]; adds [[turiya]] to the three states of consciousness; and asserts that ''Aum'' is ''[[Brahman]]'' – which is the Whole – and that ''Brahman'' is this self (''[[Ātman (Hinduism). 978-8120814691, pages 605-637
  2. Hume, Robert Ernest. (1921). "''The Thirteen Principal Upanishads''". Oxford University Press.
  3. Paul Deussen, Sixty Upanishads of the Veda, Volume 2, Motilal Banarsidass, {{ISBN. 978-8120814691, pages 556-557
  4. [http://www.sanskrit-lexicon.uni-koeln.de/cgi-bin/tamil/recherche maNDUka] Monier-Williams' Sanskrit-English Dictionary, Cologne Digital Lexicon, Germany
  5. Nanditha Krishna. (2010). "Sacred animals of India". Penguin books.
  6. [http://www.sanskrit-lexicon.uni-koeln.de/cgi-bin/tamil/recherche mANDUka] Monier-Williams' Sanskrit-English Dictionary, Cologne Digital Lexicon, Germany
  7. Paul Deussen, Sixty Upanishads of the Veda, Volume 2, Motilal Banarsidass, {{ISBN. 978-8120814691, pages 605-609
  8. Charles W. Kreidler, Phonology: Critical Concepts, Volume 1, Routledge, {{ISBN. 978-0415203456, page 9
  9. Stephen Phillips (2009), Yoga, Karma, and Rebirth: A Brief History and Philosophy, Columbia University Press, {{ISBN. 978-0231144858, Chapter 1
  10. 978-0195124354, Introduction Chapter
  11. WK Mahony (1987), Upanishads, in Jones, Lindsay, MacMillan Encyclopedia of Religion (2005), MacMillan, {{ISBN. 978-0028659978, page 9483
  12. PT Raju (2009), The Philosophical Traditions of India, Routledge, {{ISBN. 978-8120809833, page 177
  13. K Singh (2001), Some Thoughts on Vedanta, India International Centre Quarterly, Vol. 28, No. 3, pages 100-108
  14. R. V. De Smet (1972), [https://www.jstor.org/stable/1397675 Early Trends in the Indian Understanding of Man], Philosophy East and West, Vol. 22, No. 3 (Jul., 1972), pages 259-268
  15. Mark B. Woodhouse (1978), [https://www.jstor.org/stable/27902516 Consciousness and Brahman-Atman], The Monist, Vol. 61, No. 1, Conceptions of the Self: East & West (JANUARY, 1978), pages 109-124
  16. This discussion is built on a structure of "four fourths" or "fourfold", derived from ''A'' + ''U'' + ''M'' + "silence" (or without an elementVerse 12 of Mandukya Upanishad; see Robert Hume's The Thirteen Principal Upanishad, page 393
  17. PT Raju (1985), Structural Depths of Indian Thought, State University New York Press, {{ISBN. 978-0887061394, pages 30, 32-33; '''Quote''': "We can see that this story [in Chandogya Upanishad] is an anticipation of the Mandukya doctrine, (...)"
  18. Robert Hume, [https://archive.org/stream/thirteenprincipa028442mbp#page/n289/mode/2up Chandogya Upanishad - Eighth Prathapaka, Seventh through Twelfth Khanda], Oxford University Press, pages 268-273
  19. Sankara's Bhasya refers to Chandogya Upanishad's verse 5.18.2 for the list of seven
  20. Sankara's Bhasya states that these nineteen mouths of a human being are what interact with the empirical universe: five senses - seeing, hearing, touch, taste and smell; five organs of action - speech, hand, locomotion, sexual activity and excretion; five vital types of breath; the manas (mind), the buddhi (intellect, power to reason), the ahamkara (ego) and the citta (consciousness).
  21. this is everything in the perceived empirical universe
  22. GA Jacobs, [https://archive.org/stream/UpanishadVakyaKosha-AConcordanceOfThePrincipalUpanishadsAndBhagavad/UpanishadVakyaKoshaSktEng#page/n37/mode/2up A Concordance of the Principal Upanishads and Bhagavad Gita], Upanishad Vakya Kosha, Motilal Banarsidass, see pages 31-32 for ''adrsta'', page 128 for ''avyavaharya'', pages 13-14 for ''agrahya'', etc.
  23. John C. Plott et al (2000), Global History of Philosophy: The Axial Age, Volume 1, Motilal Banarsidass, {{ISBN. 978-8120801585, page 63, Quote: "The Buddhist schools reject any Ātman concept. As we have already observed, this is the basic and ineradicable distinction between Hinduism and Buddhism".
  24. {{refn. 978-0-415-46118-4, pages 114-115
  25. Izzo, David Garrett. (2009). "The Influence of Mysticism on 20th Century British and American Literature". McFarland.
  26. "Sri Madhva Mandukya Upanishad".
  27. Swami Rama (9182), ''Enlightenment without God''. Himalayan International Institute of Yoga Science and Philosophy of the USA
  28. RD Ranade, [https://archive.org/stream/A.Constructive.Survey.of.Upanishadic.Philosophy.by.R.D.Ranade.1926.djvu/A.Constructive.Survey.of.Upanishadic.Philosophy.by.R.D.Ranade.1926#page/n69/mode/2up A Constructive Survey of Upanishadic Philosophy], Chapter 1, pages 35-36
  29. W Halbfass (1991), Tradition and Reflection - Explorations in Indian Thought, State University of New York, {{ISBN. 0-791403629, pages 139-141, 169-182
  30. Charles Johnston, [http://www.universaltheosophy.com/pdf-library/Mandukya%20Upanishad_Johnston.pdf The Measures of the Eternal - Mandukya Upanishad] Theosophical Quarterly, October, 1923, pages 158-162
  31. Enoch Brater (1975), W. B. Yeats: The Poet as Critic, ''Journal of Modern Literature,'' Vol. 4, No. 3, Special Yeats Number, pages 651-676
  32. Bruce Wilson (1982), "From Mirror after Mirror: Yeats and Eastern Thought," ''Comparative Literature,'' Vol. 34, No. 1, pages 28-46
  33. Guy Rickards (2002), [https://www.jstor.org/stable/946530 David Stoll Record Reviews], Tempo New Series, Cambridge University Press, No. 222, page 53 column 1
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