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Le Testament de Villon

Opera composed in 1923 by Ezra Pound

Opera composed in 1923 by Ezra Pound

FieldValue
nameLe Testament de Villon
composer
languagemiddle French
based_on*Le Testament* by François Villon
premiere_date1926

Le Testament de Villon is an opera composed in 1923 by the American poet Ezra Pound, with assistance from George Antheil. It is based on Le Testament, a collection of poems written by François Villon in 1461.

Pound was an amateur composer. He was interested in early music in general, perhaps partly through his contact with Arnold Dolmetsch; he was particularly fond of the repertoire of the Provençal troubadours. He had written chapters on mediaeval song in his Spirit of Romance in 1910. In 1913 he had, with Walter Morse Rummel, published nine troubadour songs arranged for solo voice and piano; in 1920 he had collaborated with Agnes Bedford on Five Troubadour Songs, also for voice and piano. For his setting of Le Testament of Villon in 1923, he enlisted the help of George Antheil. The result has little in the way of instrumentation, harmony or dialogue, but is characterised by detailed and complex rhythmic notation designed to reproduce the rhythms of the text.

The first performance was given in 1926. In July 1965 it was performed as a ballet under the direction Gian-Carlo Menotti at the Teatro Caio Melisso of Spoleto, in Umbria in central Italy, as part of the Festival dei Due Mondi; the first performance in the United States was conducted by Robert Hughes at the Zellerbach Auditorium of the University of California at Berkeley in 1971; and the first British public performance took place in Cambridge in 1985. In 1973 the opera was performed in Germany at the Hamburgische Staatsoper under Friedrich Götz and with additional music by Hans Ludwig Hirsch. The work was recorded by Hughes and the Western Opera Theatre of the San Francisco Opera in 1972.

References

References

  1. Charles Mundye (March 2008). [https://www.jstor.org/stable/pdf/27720431.pdf 'Motz el Son': Pound's Musical Modernism and the Interpretation of Medieval Song]. ''Cambridge Opera Journal'' '''20''' (1): 53–78. {{doi. 10.1017/S0954586708002401. {{subscription required.
  2. [s.n.] ([1985]). ''The English live première of the opera Le testament de Villon'' (concert programme). [Cambridge]: [publisher not identified].
  3. 10.1093/gmo/9781561592630.article.22205. {{subscription required.
  4. [s.n.] ([1965]). ''L'ottavo Festival Dei Due Mondi presenta Rarità musicali: opere di Benjamin Britten, Claude Debussy, Ezra Pound: Teatro Caio Melisso Mercoledì 14, venerdì 16, sabato 17 luglio, 1965'' (concert programme, in Italian). [[Spoleto, Italy]]: [Festival dei Due Mondi].
  5. Tobert Hughes, Western Opera Theatre of the San Francisco Opera (1972). ''Le Testament de Villon'' (long-playing record). Berkeley, California: Fantasy Records 12001.
  6. Peter Dale Scott (1971). ''Zellerbach Auditorium, University of California at Berkeley, Saturday, November 13, 1971: the Committee for Arts and Lectures and Western Opera Theater and the ASUC Vocal Music Department present premiere performance Le testament de Villon, an opera by Ezra Pound: music by Ezra Pound, text from Le testament, by Francois Villon'' (concert programme). [Berkeley, California]: [Committee for Arts and Lectures and Western Opera Theater, and ASUC Vocal Music Department].
  7. Walter Morse Rummel, Ezra Pound, Michel-Dimitri Calvocoressi (1913). ''Hesternae Rosae, Serta II, Neuf Chansons de Troubadours des XIIième et XIIIième Siècles''. London: Augener.
  8. Ludwig Pollner: "'Testament' in der Fabrik." Hamburger Morgenpost, Hamburg, 280 (30 Nov. 1973)
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