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LA-2A Leveling Amplifier

Audio compressor

LA-2A Leveling Amplifier

Audio compressor

Teletronix LA-2A Leveling Amplifiers

The LA-2A Leveling Amplifier is an audio compressor produced by Teletronix Engineering Company from 1965 until 1969, and reissued in 2000 by Universal Audio.

History

The LA-2A was invented by James F. Lawrence II, founder of the Teletronix Engineering Company in Pasadena, California in the early 1960s. The LA-2A had evolved from Lawrence's first leveling amplifier, the LA-1, which was favored by Gene Autry, and its successor, the LA-2, which had been adopted by CBS and RCA. In 1965, Lawrence sold Teletronix to Babcock Electronics of Costa Mesa, California, and in 1967 Bill Putnam's company Studio Electronics (eventually renamed UREI), acquired Babcock's broadcast division, including the Teletronix brand.

Three versions of the LA-2A were made until 1969.

Three decades later, Putnam's sons re-established Universal Audio and the company re-issued an updated version of the popular LA-2A in 1999 with some safety and functional modifications to the original design.

The LA-2A was inducted into the TECnology Hall of Fame in 2004.

Design

The LA-2A is a hand-wired, tube-based compressor. It uses an electroluminescent panel together with a cadmium-sulfide light-dependent resistor (which in the LA-2A's own terminology is called the T4 cell) to provide gain reduction. The properties of the T4 give the LA-2A its unique character by making it an entirely program-dependent design.

The LA-2A has simple controls: a Peak-Reduction knob controls the gain of the side-chain circuit, and therefore, the gain reduction; a Gain Control for make-up gain; and a Limit/Compress switch which alters the compression ratio. The VU meter may also be switched to show the gain reduction or output level.

The average attack time is 10 milliseconds, while the release time is about 60 ms for 50% release and 0.5 to 5 seconds for full release, depending on the previous program material.

In use

The LA-2A has the ability to preserve the impression of performance dynamics while performing extreme level management—a sonic character that makes it sought after by many recording engineers, particularly for use on vocals and bass guitar.

Recording engineers who cite the LA-2A in their work include Joe Barresi, Mike Clink, and Tony Maserati. Kurt Cobain's vocals on Nevermind, and Shakira's vocals on "Hips Don't Lie". Joe Chiccarelli used an LA-2A to add distortion to Jack White's vocals on The White Stripes' album, Icky Thump.

Software emulations

Universal Audio has offered an officially-branded Teletronix LA-2A software plug-in since 2002, when they included the first version with their UAD-1 PCI DSP card. An updated version was introduced in 2013, when UA released the LA-2A Classic Leveler Collection for their UAD-2 platform, which included three different versions of LA-2A: the late-'60s 'Silver' version, the mid-'60s 'Gray' version, and the early-'60s LA-2.

Bomb Factory Digital released an emulation of the LA-2 as part of their Classic Compressors for Pro Tools plug-in bundle. This plug-in has since been re-branded as the Avid BF-2A.

Waves Audio released a software plug-in emulation of the Teletronix LA-2A with Chris Lord-Alge's personal presets as the CLA-2A Compressor/Limiter plug-in.

Other software versions of the LA-2A include the Cakewalk CA-2A, IK Multimedia T-RackS White 2A, and the Native Instruments VC 2A by Softube.

References

References

  1. "A History of the Teletronix LA-2A Leveling Amplifier".
  2. "LA-2A Manual".
  3. (November 2000). "Universal Audio LA-2A". Future Plc.
  4. Petersen, George. (1 September 2004). "TECnology Hall of Fame, 1877-1950: 25 Audio Innovations That Changed The (Pro Audio) World". Future Plc.
  5. (June 2003). "Universal Audio WebZine: Compression Obsession: The Amazing Release Character of the LA-2A". Universal Audio.
  6. JBL vintage service manuals. [http://www.jblproservice.com/pdf/Vintage%20JBL-UREI%20Electronics/UREI-LA-2A%20manual.pdf UREI LA-2A service manual.] "''This Instruction Book was reprinted from text composed by the original manufacturer (complete with errors and exaggerations; for example, the specification for attack time should have been in milliseconds rather than microseconds.''" Retrieved on October 11, 2009.
  7. (13 November 2012). "Top 20 Best Compressors of All Time".
  8. Senior, Mike. (September 2009). "Classic Compressors: Choosing The Right Compressor For The Job". Future Plc.
  9. Humberstone, Nigel. (March 1997). "Christopher Fogel: Alanis Morissette's Jagged Little Pill". Future Plc.
  10. Zoppa, Matt. (30 September 2019). "An Analysis of Nirvana's Nevermind". Matt Zoppa.
  11. Tingen, Paul. (June 2007). "Secrets Of The Mix Engineers: Serge Tsai - Inside Track - Shakira and Wyclef Jean: 'Hips Don't Lie'". Future Plc.
  12. James, Rob. (October 2002). "Review: Universal Audio UAD-1". resolution.
  13. (15 May 2013). "Universal Audio LA-2A Classic Leveler Collection Review". MusicTech.
  14. Rudolph, Barry. (1 April 2000). "Bomb Factory Digital: "Classic Compressors" Plug-ins For Pro Tools". Future Plc.
  15. Cooper, Dan. (26 October 2018). "Our List Of Top LA-2A Compressor Plug-in Emulations & Recreations You Should Try In Your Next Mix". Production Expert.
  16. Stanfield, Geoff. (March 2015). "Waves: CLA-2A & CLA-76 compressor/limiter plug-ins". Tape Op.
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