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Infanta Marina
Poem by Wallace Stevens
Poem by Wallace Stevens
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| name | Infanta Marina | ||||
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| author | Wallace Stevens | ||||
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| written | between 1914 and 1923 | ||||
| first | *Harmonium* | ||||
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| country | United States | ||||
| language | English | ||||
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| lines | 15 | ||||
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Use the Image Filename (eg: Example.png) -- (should describe the edition used) -- (where illustrations are a major feature) -- (prefer 1st edition) -- , trimmed as needed. -- Title of prior poem in series -- Title of subsequent poem in series -- "Infanta Marina" is one of a group of collected poems in Wallace Stevens' Harmonium, in this poem dealing with a seaside princess.
Interpretation
Helen Vendler (in Words Chosen Out of Desire) presents the poem as a "double scherzo" on her in the possessive sense and on of in its partitive and possessive sense.
Her terrace was the sand And the palms and the twilight.
She made of the motions of her wrist The grandiose gestures Of her thought.
The rumpling of the plumes Of this creature of the evening Came to be sleights of sails Over the sea.
And thus she roamed In the roamings of her fan, Partaking of the sea, And of the evening, As they flowed around And uttered their subsiding sound.
The long sequence of possessive phrases Vendler refers to may be enumerated as: 'of the motions', 'of her wrist', 'of her thought', 'of the plumes', 'of this creature', 'of this evening', 'of sails', 'of her fan', 'of the sea', and 'of the evening'. This litany in sequence using the possessive form involving repeated ofs shows syntactically what the poem states semantically, Vendler proposes: the interpenetration of mind and nature, the denial of "significant difference" among the objects of the various of-clauses. This semantics may be read as a naturalistic denial of metaphysical dualism between mind and matter, a natural twin to the reading of "Invective Against Swans" as mocking the dualistic soul and its dubious journey to a realm that transcends nature.
The princess of the sea in this poem may be compared to "donna" who is "sequestered over the sea" in "O Florida, Venereal Soil", and to "Fabliau of Florida", which in parallel fashion explores dissolution of boundaries in nature.
References
- Vendler. H. Words Chosen Out Of Desire. 1984: University of Tennessee Press.
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