I Sebastiani

History

i Sebastiani was founded on June 4, 1990, as a splinter organization of the Society for Creative Anachronism (SCA). Founder Jeff Hatalsky's stated objective was to drive the group towards greater authenticity. In September 2001, i Sebastiani attended the Austin Commedia dell'Arte Festival in Austin Texas, where they were met with acclaim. From 1991 through September 2001, the Troupe had performed each Commedia dell'Arte scenario only once, but as demand for Commedia built, i Sebastiani began to perform multiple times with each scenario.

In October 1996, Jeff Hatalsky left the troupe, and it began a period of attempted democracy. This mode of organization imposed natural limitations, and through reform Alex Newman stepped beyond his role as coordinator to become the troupe's new Capocomico (manager). In October 2002, the troupe expanded beyond SCA events and began to perform for the general public.

i Sebastiani's Florida debut came at the Miami Improv Festival in 2006. Octavio Roca of the Miami New Times commented of the troupe that:

Historical Authenticity

Unlike many modern Commedia troupes, i Sebastiani attempts to make their performances authentic to the original 16th century Commedia time period. To maintain integrity of the historical genre, the troupe's scenarios are usually recreations of recorded historical scenarios. The published works of the 16th-century Commedia playwright Flaminio Scala provide one of the key sources for this material. Scenarios which are not adapted from the original time period are written in adherence to the maxims of historical scenarios and attempt to authentically portray the genre.

iSebastiani's props are also created for time-period accuracy using similar materials & methods. The making of Commedia's signature leather masks is a specialty studied by several troupe members for the purpose of making authentic costumes.

Because of Commedia's influence on western theatre, many elements of Commedia are broadly recognizable by modern audiences. The continuing popularity of Shakespeare, who adopted many characters & scenarios from Commedia, has also preserved many close descendants of the genre. Bill Eisele of South End News describes Commedia dell'Arte's 'comedy of errors' in regards to i Sebastiani's performance of The Twin Captains:

References

Bibliography

References

1. [[#refEisele2003. Eisele (2003)]]: "Since its inception back in 1990, the company has bounced around from Montreal to Texas, performing more than 50 different shows and honing their improvisational style."
2. [[#refBostiano2013. Bostiano (2013)]]
3. [[#refRoca2006. Roca (2006)]]
4. [[#refEisele2003. Eisele (2003)]]