I Heard It Through the Grapevine

Composition

The song is composed in E-flat minor. The lyrics tell the story in the first person of the singer's feelings of betrayal and disbelief when he hears of his girlfriend's infidelity only indirectly "through the 'grapevine'".

By 1966, Barrett Strong, the singer on Motown Records' breakthrough hit, "Money (That's What I Want)", had the basics of a song he had started to write in Chicago, where the idea had come to him while walking down Michigan Avenue that people were always saying "I heard it through the grapevine". The phrase is associated with black slaves during the Civil War, who had their form of telegraph: the human grapevine. This was to be the first of a number of successful collaborations between Strong and Whitfield.

Motown recordings

Producer Norman Whitfield recorded "I Heard It Through the Grapevine" with various Motown artists.

The Miracles

The first known recording is with The Miracles on August 6, 1966, though there may also have been a recording with the Isley Brothers, or at least Whitfield intended to record it with them; however, a track has not turned up – some Motown historians believe that a session may have been scheduled but cancelled. The Miracles' version was not released as a single due to Berry Gordy's veto during Motown's weekly quality control meetings. Gordy advised Whitfield and Strong to create a stronger single.

Marvin Gaye

Marvin Gaye's version, released on his 1968 album In the Groove, is the second known recording. Whitfield recorded the song with Gaye over five sessions, the first on February 3, 1967, and the last on April 10, 1967. Recordings of this version took more than a month due to Whitfield overdubbing Gaye's vocals with that of the Andantes' background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.

The session featuring Gaye led to an argument between the producer and singer. Whitfield wanted Gaye to perform the song in a higher key than his normal range,

Gladys Knight & the Pips

Gladys Knight & the Pips recorded "Grapevine" on June 17, 1967, in Motown's Studio A, also with Norman Whitfield as producer. After hearing Aretha Franklin's version of "Respect", Whitfield rearranged "Grapevine" to include some of the funk elements of the Muscle Shoals Rhythm Section. According to David Ritz, Whitfield set to record a song that would "out-funk" Aretha. After Whitfield presented the demo tapes, Gladys Knight, Bubba Knight, William Guest, and Edward Patten worked for several weeks on their vocal arrangement. To make the song suitable for Gladys, the first line of the second verse ("I know a man ain't supposed to cry/But these tears I can't hold inside") was altered to ("Take a good look at these tears in my eyes/Baby, these tears I can't hold inside"). After much talk, Gordy reluctantly allowed the Pips' version to be a single on September 28, 1967, on Motown's Soul label.

Other Motown artists

In 1968, Bobby Taylor & the Vancouvers recorded a version for their debut album based on Knight's recent hit. But after hearing the Marvin Gaye version, they felt they had made the wrong choice. In 1969, Whitfield produced a version for the Temptations "psychedelic soul" album, Cloud Nine, in which he "brought compelling percussion to the fore, and relegated the piano well into the wings". In 1971, the Undisputed Truth recorded the song in a Gaye-styled version.

Releases

Since both the Miracles' and Marvin Gaye's renditions of the song were rejected by Gordy as a single, Gladys Knight & the Pips' version became the first to be released, on September 28, 1967, on Motown's Soul label, with "It's Time to Go Now" on the B-side. Motown put little support behind it and the Pips relied on connections with DJs across the United States to get the record played. The Pips' version of "Grapevine" reached number one on the Billboard R&B chart on November 25, 1967, and stayed there for six weeks, making it the group's second R&B number one after 1961's "Every Beat of My Heart". It reached number two on the Billboard Pop Singles chart the same month, with the Monkees' "Daydream Believer" holding top spot. It was Motown's best-selling single to that point, remaining in the top 10 of the Hot 100 for nearly two months. The song was later placed on the Gladys Knight & the Pips album Everybody Needs Love.

After this success Whitfield again wanted Gordy to release Gaye's "Grapevine" as a single, but Gordy did not want to release another version after the Pips had already made a hit out of it. So Gaye's version was released as a single on October 30, 1968. Gaye's "I Heard It Through the Grapevine" eventually outsold the Pips', and until The Jackson 5's "I'll Be There" 20 months later, was the biggest hit single of all time on the Motown label. It stayed at the top of the Billboard Pop Singles chart for seven weeks, from December 14, 1968, to January 25, 1969. Gaye's "Grapevine" also held number one on the R&B chart during the same seven weeks, and stayed at number one in the United Kingdom for three weeks starting on March 26, 1969. The label was pleased with the success, although Gaye, depressed because of issues such as the illness of singing partner Tammi Terrell (which would kill her less than a year later), was quoted as saying that his success "didn't seem real" and that he "didn't deserve it".

Due to the song's success, In the Groove was re-issued as I Heard It Through the Grapevine and peaked at number two on the R&B album chart and number sixty-three on the album chart, which was at the time Marvin's highest-charted solo studio effort to date. Because of the success of both versions, "I Heard It Through the Grapevine" was the first and last number one on the Billboard R&B chart in 1968: the Pips version was the first week of January, the Gaye version the last week of December. Gladys Knight was not pleased that Gaye's version usurped her own, and claimed that Gaye's version was recorded over an instrumental track Whitfield had prepared for a Pips song, an allegation Gaye denied. In 1985, one year following Gaye's death, the song was re-released in the UK reaching number eight thanks to a Levi's commercial (starring Nick Kamen).

Legacy

The Gaye recording has become an acclaimed soul classic. In 2004, it was placed at number 80 on Rolling Stone list of the 500 Greatest Songs of All Time, with the comment that Whitfield had produced the song with a number of artists using different arrangements, and that on the Marvin Gaye recording he had a "golden idea" when he set the song "in a slower, more mysterious tempo". In a new Rolling Stone list published in 2011, the single was placed slightly lower at number 81.

In 1998, the Marvin Gaye version of the song was inducted to the Grammy Hall of Fame for "historical, artistic and significant" value. In June 2008, on the commemorative fiftieth anniversary of the Billboard Hot 100 issue of Billboard magazine, the Marvin Gaye version was ranked as the sixty-fifth biggest song on the chart. In 2018, the Gladys Knight & the Pips version was also inducted into the Grammy Hall of Fame.

Personnel

Marvin Gaye version

• Lead vocals by Marvin Gaye
• Background vocals by the Andantes: Jackie Hicks, Marlene Barrow and Louvain Demps
• Instrumentation by the Funk Brothers and the Detroit Symphony Orchestra
  • Hammond organ by Earl Van Dyke
  • Wurlitzer electronic piano by Johnny Griffith
  • Drums by Richard "Pistol" Allen (tom toms)
  • Bass by James Jamerson
  • Percussion by Jack Ashford
• String arrangement by Paul Riser

Gladys Knight & the Pips version

• Lead vocals by Gladys Knight
• Backing vocals by Merald Knight, William Guest, and Edward Patten
• Instrumentation by the Funk Brothers
  • Piano by Earl Van Dyke
  • Bass by James Jamerson
  • Drums by Benny Benjamin (cymbals and fills) and Uriel Jones (main rhythm)

Charts

Weekly charts

;Gladys Knight & the Pips

;Marvin Gaye

;(Reissue version)

;Creedence Clearwater Revival

;Roger Troutman

Year-end charts

All-time charts

Certifications

Grapevine (Tiësto)

"Grapevine" is a song by Dutch DJ and producer Tiësto. It was released on October 26, 2018 in the Netherlands on the Musical Freedom label. It marked Tiësto's return to the Brazilian bass genre. Gaye's song is extensively sampled in the track, which was premiered during Tiësto's set at Ultra Music Festival 2018 in Miami. The music video was released on January 12, 2020.

Fabien Dori from French webmedia Guettapen criticized the "cruel lack of originality" of the track, stating that "the drop seems strangely like the one from 'Boom', and this is not the generic vocal which will enhance the whole".

Track listing

;Digital download (MF306)

1. "Grapevine" - 2:30

;Digital download (MF306)

1. "Grapevine" (extended mix) - 3:27

;Digital download / remixes (MF319)

1. "Grapevine" (Tujamo remix) - 3:21
2. "Grapevine" (John Christian remix) - 2:30
3. "Grapevine" (Carta remix) - 2:35

Charts

Other versions

In addition to being recorded several times by Motown artists, the song has been recorded by musicians including Creedence Clearwater Revival, whose 11-minute version appeared on their 1970 album Cosmo's Factory. The band had initially started to play the song live before rearranging it in the studio with a long jam-like instrumental part for their record. Unusually for such a long song, radio stations began to play the song, and eventually it was released as a single against the band's wishes. The release reached 43 on Billboards chart, with more modest success in other countries.

In addition, funk musician Roger Troutman whose extended version taken from his 1981 solo album, The Many Facets of Roger, brought the song back to number one on the R&B chart in 1981, marking the third time the song reached the top spot on that chart. It also made the Billboard Hot 100, but was not a Pop success this time around, peaking at number 79.

British punk band the Slits recorded the song in a post-punk style as the b-side to their first single Typical Girls.

In 1996, the Soultans released their version of "I Heard It Through the Grapevine". It reached number 24 in Austria, and charted in New Zealand, Germany and Belgium. Queen Latifah used the original version as a rhythmic basis for her 1998 single "Paper", produced by Pras Michel for her album Order in the Court.

A cover of "I Heard It Through the Grapevine" by English indie rock band Kaiser Chiefs appears on the 2005 compilation album Help: A Day in the Life.

Certifications

In popular culture

"I Heard It Through the Grapevine" has been used twice in television commercials – each time using session musicians recreating the style of the Marvin Gaye version. For the 1985 Levi's 501 commercial "Launderette", featuring male model Nick Kamen, agency BBH and director Roger Lyons, owing to budgetary constraints, brought in Karl Jenkins and Mike Ratledge to recreate the sound of the Marvin Gaye original with Tony Jackson, a Barbadian background singer for Paul Young, handling vocals and P. P. Arnold on backing vocals. The commercial's success prompted Tamla-Motown to re-release Gaye's single with the Levi's 501 logo on the sleeve — "an example of integrated marketing almost before the term was invented". The record went to number eight on the UK Singles chart, marking its second chart performance. A year later, in 1986, Buddy Miles was the singer for the clay animation group The California Raisins which sang it as part of a TV advertising campaign.

Marvin Gaye's version of the song is used in the opening credits of The Big Chill (1983) as each of the main characters gets to hear (through the "grapevine") about the death of their college friend, and then travels to his funeral; the song serves in an extradiegetic fashion to both unite the main characters' friendship and to locate it nostalgically for the viewer.

References

;Bibliography

• John Covach, Mark Spicer, Sounding Out Pop: Analytical Essays in Popular Music, 2010, University of Michigan Press
• Bill Dahl, Motown: The Golden Years, 2011, Krause Publications
• David N. Howard, Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings, 2004, Hal Leonard Corporation
• Gerald Posner, Motown : Music, Money, Sex, and Power, 2002, New York: Random House,

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