Anasyrma

Greek antiquity

Ritual jesting and intimate exposure were common in the cults of Demeter and Dionysus, and figure in the celebration of the Eleusinian Mysteries associated with these divinities. The mythographer Apollodorus says that Iambe's jesting was the reason for the practice of ritual jesting at the Thesmophoria, a festival celebrated in honor of Demeter and Persephone. In other versions of the myth of Demeter, the goddess is received by a woman named Baubo, a crone who makes her laugh by exposing herself, in a ritual gesture called anasyrma ("lifting [of skirts]"). A set of statuettes from Priene, a Greek city on the west coast of Asia Minor, are usually identified as "Baubo" figurines, representing the female body as the face conflated with the lower part of the abdomen. These appeared as counterparts to the phalluses decorated with eyes, mouth, and sometimes legs, that appeared on vase paintings and were made as statuettes.

Terracotta hermaphrodite figurines in the so-called anasyromenos pose, with breasts and a long garment lifted to reveal a phallus, have been found from Sicily to Lesbos, dating back to the late Classical and early Hellenistic period. The anasyromenos pose, however, was not invented in the 4th century BCE; figures of this type drew on a much earlier eastern iconographic tradition employed for female divinities. Ancient literature suggests that the figures represent the androgynous Cypriot deity Aphroditus (possibly a form of Astarte), whose cult was introduced into mainland Greece between the 5th–4th century BCE. The revealed phallus was believed to have apotropaic magical powers, averting the evil eye or invidia and bestowing good luck.

Apotropaic effect of nakedness

Many historical references suggest that anasyrma had dramatic or supernatural effect—positive or negative. Pliny the Elder wrote that a menstruating woman who uncovers her body can scare away hailstorms, whirlwinds and lightning. If she strips naked and walks around a field of wheat, caterpillars, worms and beetles fall off the heads. Even when not menstruating, she can lull a storm out at sea by stripping.

According to folklore, women lifted their skirts to chase off enemies in Ireland and China. A story from The Irish Times (September 23, 1977) reported a potentially violent incident involving several men, which was averted by a woman exposing her genitals to the attackers. According to Balkan folklore, when it rained too much, women would run into the fields and lift their skirts to scare the gods and end the rain. Maimonides also mentions this ritual to ward off the rain while expressing his disapproval. Stripping away clothing was perceived as creating a "raw" state closer to nature than society, facilitating interaction with supernatural entities. In Jean de La Fontaine's Nouveaux Contes (1674), a demon is repulsed by the sight of a woman lifting her skirt. Associated carvings, called sheela na gigs, were common on medieval churches in northern Europe and the British Isles.

In some nations of Africa, a woman stripping naked and displaying herself is still considered a curse and a means to ward off evil.

In Nigeria in 2002, during mass protests against the petroleum industry, women threatened to disrobe; this led ChevronTexaco, wishing to avoid the shame this gesture would bring on the company in the eyes of local residents, to strike a deal with the community to provide needed services.

In 2003, Leymah Gbowee threatened to strip naked to prevent being arrested as she and other women surrounded the courtroom where peace negotiations were taking place during the Second Liberian Civil War. The warlords and generals at the negotiating table, fearing the curse that would befall them should they witness her nakedness, retreated back to the conference room. The women maintained their protest for two more weeks, until the negotiations finally reached a peace settlement, an episode depicted in the 2008 documentary film Pray the Devil Back to Hell.

References

Sources

• Weber-Lehmann, C. (1997/2000)) "Anasyrma und Götterhochzeit. Ein orientalisches Motiv im nacharchaischen Etrurien", in: Akten des Kolloquiums zum Thema: Der Orient und Etrurien. Zum Phänomen des 'Orientalisierens' im westlichen Mittelmeerraum. Tübingen.
• Dexter, Miriam Robbins, and Victor H. Mair. (2010) Sacred Display: Divine and Magical Female Figures of Eurasia. Cambria Press.

References

1. Blackledge, Catherine. (2003). "The Story of V: A Natural History of Female Sexuality". Rutgers University Press.
2. Aileen Ajootian. "Hermaphroditos ανασυρόμενος: Revealing the Body". University of Mississippi.
3. "Ashtoreth: In Arabia".
4. Pliny the Younger. (1894). "Natural History".
5. (October 6, 2010). "10 Questions: Miriam Robbins Dexter on the Power of Female Display". UCLA Program on Central Asia.
6. (December 9, 2005). "Marina Abramovic: Balkan Erotic Epic". Sean Kelly Gallery.
7. (2018). "Shirts, Cloaks and Nudity: Data on the Symbolic Aspects of Clothing Srajce, ogrinjala in golota: simbolični vidiki oblačil.". [[Studia mythologica Slavica]].
8. Alexis Okeowo. (March 21, 2011). "The Ivory Coast Effect".
9. Geraldine Sealey. (2002-07-30). "Naked Ploy Is Latest Threat in Oil Wars". ABC News.
10. Kevin Conley. (December 2008). "The Rabble Rousers".