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Borso d'Este

Duke of Ferrara and Modena from 1452 to 1471

Field	Value
name	Borso d'Este
image	Borso d'Este.jpg
caption	Borso d'Este, attributed to Vicino da Ferrara, Pinacoteca of the Sforza Castle in Milan, Italy.
house	Este
succession	Duke of Ferrara, Modena and Reggio
reign	1450 – 20 August 1471
predecessor	Lionello d'Este
successor	Ercole I d'Este
father	Niccolò III d'Este
mother	Stella de' Tolomei (concubine)
birth_date	1413
birth_place	Ferrara, Marquisate of Ferrara
death_date
death_place	Ferrara, Duchy of Ferrara

Borso d'Este (1413 – 20 August 1471) was the first Duke of Ferrara and Modena, ruling from 1450 until his death. A member of the House of Este, he secured his titles from both Emperor Frederick III in 1452 and Pope Paul II in 1471, strengthening the political status of the Este state.

Borso was an illegitimate son of Niccolò III d'Este, Marquess of Ferrara, Modena, and Reggio, by his mistress Stella de' Tolomei. He is best known for his patronage of the arts and the lavish cultural life at his court in Ferrara. His most famous commission was the Bible of Borso d'Este, an illuminated manuscript regarded as a masterpiece of Renaissance book art. He supported the early Ferrarese School of painting and helped establish Ferrara as an important center of Renaissance culture in northern Italy.

Reign

Borso succeeded his brother Leonello d'Este as marquess on 1 October 1450.

On 18 May 1452 he received confirmation over his fiefs, as Duke, by Emperor Frederick III. On 12 April 1471, in St. Peter's Basilica, he was also appointed as Duke of Ferrara by Pope Paul II.

Borso followed an expansionist policy for his state, and one of ennobling for his family. He was generally allied with the Republic of Venice, and enemy both to Francesco I Sforza and the Medici family. These rivalries led to the indecisive Battle of Molinella. He was in general appreciated by his subjects. One cause of grievance was his project to build a mountain from scratch in 1471 – a folly he was later forced to abandon.

Patron of culture

thumb|left|220px|A page of Borso d'Este's Bible. Borso's court was the center of the so-called Ferrarese school of painting, whose members include Francesco del Cossa, Ercole dei Roberti and Cosimo Tura. Their most important commission during Borso's rule were the frescoes in the Palazzo Schifanoia and the Borso D'Este Bible.

A man of little education (unlike his brother Leonello), he had a pragmatic view of the arts as a powerful propaganda tool to promote his political ambitions by projecting an image of personal magnificence. He liked to portray himself as an ideal ruler, as for example in the frescoes in Palazzo Schifanoia. His personal Bible (commissioned in 1455) is one of the most magnificent illuminated manuscripts of Renaissance Italy and a fabulously costly work of art;{{#tag:ref|Production of the Bible cost exactly twice the amount paid to Domenico Ghirlandaio for the entire Tornabuoni Chapel in Santa Maria Novella in Florence. The illumination work alone cost five thousand lire, which at the time represented a colossal sum of money.

Borso never married and left no heirs. His successor was his half-brother Ercole I d'Este.

Notes

References

Pius II. (2003). "Commentaries, vol. I". Harvard University Press.
Lesychyn, Lubomyra. "The Magnificence of Borso and Ercole d'Este: Princes of Ferrara (1450-1505)". Openaccess Dissertations and Theses.
Beamish, Gordon Marshall. "Borso d'Este, 1st Duke of Ferrara, Modena and Reggio". Oxford University Press.
Lippincott, Kristen. "Cossa, Francesco del". Oxford University Press.
Melograni, Anna. (April–June 2008). "Quanto costa la magnificenza? Il caso della "Bibia bella" di Borso d'Este". Ministero dei Beni e delle Attività Culturali.
Rosenberg, Charles M. "Bible of Borso d'Este". Oxford University Press.
Rosenberg, Charles M. "Crivelli, Taddeo". Oxford University Press.

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1413-births 1471-deaths house-of-este margraves-of-ferrara dukes-of-ferrara dukes-of-modena dukes-of-reggio 15th-century-italian-nobility

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