A Hero's Song

Instrumentation

The symphonic poem is scored for an orchestra of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, one tuba, timpani, bass drum, cymbals, triangle and strings. The piece's instrumentation is significant because it lacks harp, unusual percussion, and nonstandard woodwindsa simpler orchestra than most of Dvořák's other orchestral works. This is because the piece does not attempt to convey a story, but merely portrays two contrasting moods: despair (during the lacrimosa section) and triumph.

History

A Hero's Song was Dvořák's last orchestral work and the final of his five symphonic poems, the others being The Water Goblin, The Noon Witch, The Golden Spinning Wheel, and The Wild Dove (Opp. 107–110). It is also the last instance of him writing purely instrumental music, as he dedicated himself to vocal and operatic works after its completion. The symphonic poem coincidentally anticipated Richard Strauss's similar tone poem Ein Heldenleben (A Hero's Life), which was composed a year later. In fact, Dvořák originally intended to title the piece A Hero's Life, a name which had been suggested to him by his pupil Vítězslav Novák.

The work was premiered by the Vienna Philharmonic on December 4, 1898, Dvořák was present at the premier and had planned to conduct it himself with the Berlin Philharmonic on November 14, 1899, but cancelled his plans due to a sudden nervous breakdownin Dvořák's words, "I was so indisposed that I had to leave Berlin with my wife without even seeing Simrock." The piece had been performed the previous day, conducted by Arthur Nikisch. It was also performed in London, Hamburg, Boston and Leipzig in October and November 1899. Dvořák was finally able to personally conduct the piece in Budapest in December of that year.

Music

Dvořák often adapted Bohemian folklore for his compositions, and his previous four symphonic poems were based on actual poems by the Czech poet Karel Jaromír Erben, especially Erben's collection of ballads Kytice. A Hero's Song broke away from this pattern of programmatic symphonic works, as Dvořák did not specify a specific accompanying text, and he only roughly outlined its plot in a later letter. The lack of a fixed programme has been hypothesized as a reason for its relative neglect when compared to Dvořák's other symphonic works. It has also been suggested that the work was intended to be autobiographical, an unusual approach for Dvořák. This was Dvořák's only symphonic poem that pursued Franz Liszt's idealized view of the genre, as Dvořák's other four works were based on eerie subjects not appropriate to Liszt's conception.

A Hero's Song is musically structured like a four-movement symphony, beginning with an allegro con fuoco, transitioning to a slow poco adagio lacrimosa, then including a scherzo and concluding with a coda. The piece is based on a short, energetic theme in B minor played in the violas, cellos, and basses at the start of the piece. \relative c { \clef bass \time 3/4 \tempo "Allegro con fuoco" 4 = 189 \key bes \minor bes4\tenuto\ff r8 a8-. bes-. des-. | bes4-. r4 r4 | r8 bes8- ges4--. aes--. | bes--. r4 r4 | } This theme is featured in various forms throughout the first section. Following this, a slow section is marked by quiet music which symbolizes the hero's grief. It includes a funeral march, a musical form Dvořák also used in his Requiem, Stabat Mater, and Piano Quintet No. 2. The hero recovers from his grief as the mood of the music gradually brightens and goes into B major, leading into the dance-like scherzo. Finally, the triumph of the hero is represented by the victorious coda. The piece has a run time of approximately 22 minutes.

Although it is much less popular than Dvořák's other symphonic poems, A Hero's Song has been described as "an uninhibited outpouring of joyous energy"

Recordings

Although the work is rarely performed, it has been recorded a number of times, but has ultimately been left out of most major cycles of the composer's complete symphonic works. Prominent recordings include:

• 1982 – Zdeněk Košler conducting the Slovak Philharmonic (Opus)
• 1987 – Bohumil Gregor conducting the Czech Philharmonic (Supraphon)
• 1988 – Neeme Järvi conducting the Royal Scottish National Orchestra (Chandos)
• 1993 – Antoni Wit conducting the Polish Radio Symphony Orchestra (Naxos)
• 2004 – Theodore Kuchar conducting the Janáček Philharmonic Orchestra (Brilliant Classics)
• 2006 – Jiří Bělohlávek conducting the BBC Symphony Orchestra (Warner)
• 2012 – Andris Nelsons conducting the Bavarian Radio Symphony Orchestra (BR Klassik)
• 2025 - Jakub Hrusa conducting the Bamberger Symphoniker (Accentus)

References

References

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4. Döge, Klaus. "Dvořák, Antonín". Oxford University Press.
5. Rothstein, Edward. (24 March 1992). "Review/Music; The American Symphony Takes On a New Role". [[The New York Times]].
6. Honolka, Kurt. (2004). "Dvořák". Haus Publishing.
7. Haase, Donald. (2008). "The Greenwood Encyclopedia of Folktales and Fairy Tales". Greenwood Press.
8. Hector Bellman. "A Hero's Song (Písen bohatyrská), B. 199, Op. 111".
9. Beckerman, Michael B.. (2003). "New Worlds of Dvořák: Searching in America for the Composer's Inner Life". Norton.
10. Beveridge, David R.. (1996). "Rethinking Dvořák: Views from Five Countries". Clarendon Press.
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