Whiteface (performance)

Performance using make-up to look Caucasian


title: "Whiteface (performance)" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["african-american-cultural-history", "blackface-minstrelsy", "racism", "race-related-controversies-in-film", "ethnic-humour", "anti-white-racism"] description: "Performance using make-up to look Caucasian" topic_path: "history" source: "https://en.wikipedia.org/wiki/Whiteface_(performance)" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary Performance using make-up to look Caucasian ::

Whiteface is a type of performance in which a person of color uses makeup in order to appear fair-skinned. The term is a reversal of the form of performance known as blackface, in which makeup was used by a performer to make themselves look like a black person, usually to portray a stereotype. Whiteface performances originated in the 19th century, and today still occasionally appear in films. Modern usages of whiteface can be contrasted with blackface in contemporary art.

History

The earliest use of the term, noted by the Oxford English Dictionary, is from the New York Clipper in 1870, informing readers that William "Joe" Murphy has given up minstrelsy to "appear on the legitimate boards in white face."

By 1908, actor Dooley Wilson had earned his nickname for his whiteface impersonation of an Irishman singing a song called "Mr. Dooley".

The OED also lists a 1947 reference to the black actor Canada Lee performing the role of Bosola in The Duchess of Malfi in whiteface.

Examples

Comparison to blackface

Blackface is widely considered racist due to its traceable racial links to slavery and racial segregation. For this reason, blackface is heavily condemned in modern art forms, while whiteface is occasionally employed in modern times, usually in a comedic context. Those who defend it as art differentiate it from blackface, often arguing that whiteface does not draw on a legacy of racism in the way that blackface does, hence arguing that the intended satire of white lifestyles is not racist.

References

References

  1. Hilary Miller. (24 March 2014). "Nick Cannon Wears Whiteface, Sparks Internet Debate". HuffPost.
  2. (2015). "white-face".
  3. (16 April 1870). "Negro Minstrelsy". New York Clipper.
  4. Harmetz, Aljean. (November 26, 1992). "Round Up the Usual Suspects: The Making of Casablanca—Bogart, Bergman, and World War II". [[Hachette Books.
  5. "Race Representations in Watermelon Man". Washington University.
  6. (27 July 2018). "Comedy and the Politics of Representation: Mocking the Weak". Springer.
  7. Weston, Christopher. (2020-06-10). "Does White Chicks Have A Future On Netflix? Little Britain Removal Sparks Wider Debate On Race!".
  8. McFarland, Melanie. (6 March 2006). "On TV: 'Black. White.' is uncomfortable, revealing reality TV". Seattle Post-Intelligencer.
  9. Lewis, Hilary. (31 March 2014). "Nick Cannon on 'Whiteface' Controversy: 'I Was Doing a Character Impression; Blackface Is About Oppression' (Video)". [[The Hollywood Reporter]].
  10. Reid, Shaheem. (14 June 2007). "Chamillionaire Busted By 'Hip Hop Police' For Ridin' Dirty With Jay-Z, Dr. Dre CDs". MTV.com.
  11. Desmond-Harris, Jenée. (October 29, 2014). "Don't get what's wrong with blackface? Here's why it's so offensive.". [[Vox (website).
  12. Hannaham, James. (28 June 2004). "Beyond the Pale".

::callout[type=info title="Wikipedia Source"] This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page. ::

african-american-cultural-historyblackface-minstrelsyracismrace-related-controversies-in-filmethnic-humouranti-white-racism