Turfing

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title: "Turfing" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["street-dance", "hip-hop-dance"] topic_path: "arts" source: "https://en.wikipedia.org/wiki/Turfing" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

Turfing (or turf dancing) is a form of street dance that originated in Oakland, California, United States, characterized by rhythmic movement combined with waving, floor moves, gliding, flexing, and contortioning. It was developed by youth from West Oakland and organized by dancer Jeriel Bey, who coined the name "turf dancing," or "Turfin" and named his Organization The Architeckz™. Bey named the dance form as an acronym for "Taking Up Room on the Floor." The style was originally known by the terms "having fun with it" or "hitting it", but these names didn't seem marketable. However, another claim for the nomenclature considers the acronym as a backronym and that turf dancing originated as a way to describe dances that different "turfs" (locations or territories) from Oakland performed to represent where they were from (the same as "blocks" or "sets"). The dance form had its earliest influences in the Boogaloo movement of the mid-1960s, but it developed into a distinctive dance style.

History

The dance form can be traced back to the traditions of the Boogaloo movement in Oakland, California in the 1960s, developing into a separate genre of dance in the 1990s. Along with hyphy music, it came to be seen as distinctively representative of Oakland. The movement rose to prominence in 2002 following Jeriel Bey's establishment of his group, "The Architeckz™."

Turfing is a social critique and recognition of lost African American lives, police brutality, and race relations in Oakland. This form of expression uniquely addresses African American deaths, while using art to create a politicized awareness of brutality against people of color. It is also seen as a means to humanize blackness, spread community, empathy, and peace in the same streets black lives were taken. Apart from being a unique hood dance form, turfing represents a collective movement, and is part of the street culture in the East Bay.

Turf dancing was first displayed on videos from artists such as Baby Bash, Keak Da Sneak, and E-40 by innovative and influential turf dancers (and creators of the turfing Lifestyle) Jeriel Bey. In 2012 Alonzo (Turf) Jones a.k.a. Retro, a turf dancer and skateboarder from California's Bay Area competed on the TV talent competition America's Got Talent in season 7.

Foundation

The foundation of turf dance is based on a series of dances with different "turfs" in Oakland displayed. Some of these foundation dances are "two step," "brookfield," "auntie," "shaking," "the busta," "cliffhangers," "tsunamis" and "traces". Turf dance also includes "story telling" which is a style based on pantomime "life stories" or "everyday activities". Turfing incorporates other dance style concepts such as tutting, flexing, waving and animation. Turf dance is an improvisational, free-flowing form of dance that is based on the idea of pure cause and effect but focuses on storytelling, the creation of optical illusions, and the display of distinctive personal style. Dance elements include Boogaloo, popping, locking, and miming. Gliding is heavily used in turf dance because it enables the creation of optical illusions. "Going dumb," or completely letting one's emotions loose on the dance floor, is also a distinctive part of the tradition.

References

References

  1. Burkey, Shannon. (2005-07-26). "Freestylin' Freestylin' Freestylin' The Architeckz aim to". [[Oakland Tribune]].
  2. Savion-Royant, Yoram. (1 May 2008). "Letter Home". Judith Lee Stronach Baccalaureate Prize Project, University of California Berkeley.
  3. Phaneuf, W. (2013 Aug 21) "Turfing Grows Up." Eastbay Express.
  4. Zamora, Jim Herron. (2007-03-10). "Architeckz look to build outlet for Oakland youth / Dance troupe channels emotions through 'turf dancing,' a younger sibling of 1980s break dancing".
  5. Hix, Lisa. (2005-10-16). "Cubland". [[San Francisco Chronicle]].
  6. "Shot and Captured." ''Tdr-The Drama Review-The Journal of Performance Studies'', vol. 58, no. 2, n.d., pp. 99–114.
  7. "Conscious Quiet as a Mode of Black Visual Culture." ''Black Camera: The New Series'', vol. 8, no. 1, Fall 2016, pp. 146–154.
  8. Bragin, Naomi Elizabeth. "Black Street Movement: Turf Dance, YAK Films and Politics of {{Not a typo. Sitation in Oakland, California." ''Collected Work: Dance and the social city''. Published by: Birmingham, AL: Society of Dance History Scholars, 2012. Pages: 51–57.
  9. Simms, Renee. "Immortal Dance in the Age of Michael Brown." ''Southwest Review'', no. 1, 2017, p. 74.
  10. "From Streets To Stage, Two Dance Worlds See Harmonization And Chaos." Weekend Edition Saturday, 23 Jan. 2016. Literature Resource Center.
  11. Sommer, Sally. "Balletic Breakin'." ''Dance Magazine'', vol. 86, no. 1, Jan. 2012, p. 90.
  12. Stelfox, Dave. (2007-11-15). "Why doesn't the UK have hip-hop dance crazes?". [[The Guardian]].
  13. (2012-06-01). "Alonzo 'Turf' Jones Brings the Art of Extreme Hip Hop Contortionism to the Masses on 'America's Got Talent'".
  14. (2012-07-02). "''America's Got Talent'' Auditions".
  15. "East Bay Express – Best Of". www.eastbayexpress.com.
  16. Hesse, Monica. (2008-01-20). "There is an escape in dance.". The Washington Post.

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