Shitgaze

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2000s microgenre

title: "Shitgaze" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["2000s-in-music", "alternative-rock-genres", "counterculture-of-the-2000s", "microgenres", "21st-century-music-genres", "shitgaze"] description: "2000s microgenre" topic_path: "arts" source: "https://en.wikipedia.org/wiki/Shitgaze" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary 2000s microgenre ::

::data[format=table title="Infobox music genre"]

FieldValue
nameShitgaze
imageTimes New Viking, Pittsburgh, 2011.jpg
captionTimes New Viking in Pittsburgh, 2011
stylistic_origins* Noise rock
cultural_origins, Columbus, Ohio and Los Angeles, California
other_topics*Shoegaze
::

| name = Shitgaze | other_names = | image = Times New Viking, Pittsburgh, 2011.jpg | caption = Times New Viking in Pittsburgh, 2011 | stylistic_origins = * Noise rock

Shitgaze is a microgenre of rock music coined in 2005 by Kevin DeBroux of Pink Reason to describe the music of Midwestern rock band Psychedelic Horseshit from Columbus, Ohio. Lead singer Matt Whitehurst added the term to the band's Myspace page, where it became the tag for a "Columbus-centric genre". It was then adopted by the music press and used to describe bands with a similar aesthetic from other locations, such as Los Angeles.

The independent record label Siltbreeze became a central hub for the scene, along with the Columbus music venue Cafe Bourbon Street. Whitehurst cites the NME's feature on shitgaze as what "made it into a scene". The style was characterized by its use of lo-fi production, guitar feedback, fuzz pedals, audio clipping and distorted sounds.

Notable acts include Psychedelic Horseshit, the Hospitals, No Age, Times New Viking, Wavves, Grave Babies, Sic Alps, Vivian Girls, Sealings, Best Coast, Meth Teeth, Pink Reason, the Bitters, Eat Skull, the Intelligence, Gang Wizard, Ty Segall, and P.H.F.

Characteristics

Shitgaze artists primarily made use of "sub-par equipment," and were built around a low budget DIY and lo-fi aesthetic, while drawing influence from garage punk, noise pop, and noise rock. Additionally, artists primarily gained popularity through early music blogs and online music forums within the emerging blog rock movement.

According to Spin magazine, "Everything these bands record is spiked in the red and cloaked in caustic fuzz. Vocals are intelligible very often, and snare hits resemble chopsticks on tinfoil. You could say Psychedelic Horseshit’s bass drum sounds like a cardboard box…'cause it is." While further stating that, "Underneath all that hissy static and garbled vocals are well-crafted albeit primitive songs. 'Devo & Wine,' and '(My Head)' are not too far removed from the output of fellow Ohioans Guided by Voices."

Etymology

The term shitgaze is a portmanteau of "shoegaze" coined by Kevin DeBroux of Pink Reason in 2005 as an "inside-joke" to describe the music of the Midwestern rock band Psychedelic Horseshit, he later became the bassist for the band. In a 2008 interview with Spin magazine, DeBroux remarked: "We were sitting around stoned listening to the Psychedelic Horseshit album, and I knew Matt [Whitehurst] was into ['90s U.K] shoegaze stuff, [...] I'm like, 'Man, this isn't shoegaze; this is shitgaze."

According to Spin, "Whitehurst stuck the word up on Horseshit's Myspace page, and it became the tag for a Columbus-centric genre, though it's also becoming an umbrella term for other lo-fi Midwesterners such as Tyvek and TV Ghost". In a 2011 interview with the Quietus, Matt Whitehurst of Psychedelic Horseshit stated:

The term became associated first with a specific music scene in Columbus, Ohio due to Psychedelic Horseshit, along with fellow shitgaze act Times New Viking, both having formed there. The term then saw prominence in the 2000s West Coast garage punk scene which included artists like Ty Segall, the Intelligence, Gang Wizard, and the Hospitals, the latter of which featured then Coachwhips guitarist John Dwyer. Subsequently underground music artists and bloggers further adopted the label. In reflection, Beth Murphy, the keyboardist of Times New Viking stated, "I'd rather be called shitpop or tweecore". Shitgaze has been referred to as a "microgenre".

History

Origins

::figure[src="https://upload.wikimedia.org/wikipedia/commons/9/9b/Wavves_2012_Groovin_The_Moo_1.jpg" caption="language=en-GB}}"] ::

According to Spin magazine, Times New Viking's Dig Yourself (2005) was the start of the shitgaze scene followed by Present the Paisley Reich (2007) and Rip It Off (2008), with vinyl being "the medium of choice for shitgazers". While citing other releases such as Psychedelic Horseshit's debut album, Magic Flowers Droned (2007) as "required listening" and Pink Reason's Cleaning the Mirror (2009) as "a more intimate and personal DIY gem."**

The Philadelphia independent record label Siltbreeze, founded in 1989, though initially associated with general underground music, experienced renewed interest through the emergence of shitgaze, and became a central hub for the movement during the mid-to late 2000s. Siltbreeze released many early shitgaze recordings by bands such as Vivian Girls, Psychedelic Horseshit, Eat Skull, Pink Reason and Times New Viking. Spin described the "hub" of the scene as taking place in a Columbus venue known as Cafe Bourbon Street.

San Diego rock band Wavves are regarded as one of the most notable and commercially successful bands to emerge from the original shitgaze scene, with the sound later proliferating and intertwining with bands like Best Coast. Though the term was not coined online, music blogs and sites like Vice, Spin, NME and Pitchfork helped further popularize shitgaze through various articles and reviews during the late 2000s and early 2010s.

In 2009, Pitchfork published a readers poll that ranked "Shitgaze/lo-fi aesthetics (Times New Viking, Wavves, Vivian Girls)" at number 2 on their list titled "Trend You Wish Would Go Away".

Decline

Shitgaze fell out of prominence in the mid-2010s as other blog-related music scenes like bloghouse, blog rock and blog rap declined due to the rise in online streaming algorithms. Mike Lesuer of Flood magazine wrote that of the "subgenres that define the early-'10s, many of them can only be stumbled upon in 2023 by finding a Tumblr account that hasn't seen activity since the height of seapunk—which, like witch house, likely faded from memory because no one could think of a cooler name for it".

References

References

  1. (November 11, 2010). "No Age : Everything In Between".
  2. Mallett, Whitney. (2008-11-10). "When a band and another band love each other very much".
  3. NME. (2012-09-07). "Sic Alps – 'Sic Alps'".
  4. Colly, Joe. "Vivian Girls: Everything Goes Wrong".
  5. (2010-06-09). "Best Coast Confirm Debut Album".
  6. "Best Coast: Where the Boys Are {{!}} Records".
  7. "Best Coast's Sophomore LP to Be Produced by Jon Brion │ Exclaim!".
  8. Oliver, Henry. (2018-12-21). "The definitive, very best New Zealand music of 2018".
  9. (2010-03-12). "Psychedelic Horseshit destroy shitgaze".
  10. "I Miss Shitgaze, Man".
  11. Terich, Jeff. (2015-01-05). "Blurred Lines: On the evolution of genre".
  12. Marin, Francisco. "Math-rockers play Austin; lo-fi lies low".
  13. "I Miss Shitgaze, Man".
  14. Oliphint, Joel. (June 2008). "Anatomy of a Scene – Sh*tgaze".
  15. Masters, Marc. (2009-09-14). "The Decade in Noise".
  16. Sherburne, Philip. (2021-10-07). "25 Microgenres That (Briefly) Defined the Last 25 Years".
  17. Dazed. (2008-09-12). "Psychedelic Horseshit Write Messy Drug Songs".
  18. Millard, Zachary Lipez & Drew. (2015-12-14). "The Definitive Guide to Hipster Music Genres".
  19. Quietus, The. (2011-06-07). "Dancing Is Better Than Chin Stroking: Psychedelic Horseshit Interviewed".
  20. Thompson, Paul. "Psychedelic Horseshit: Golden Oldies / Shitgaze Anthems".
  21. Masters, Marc. (2009-09-14). "The Decade in Noise".
  22. (August 2008). "Battleground State".
  23. Marcus, Ezra. (2017-05-12). "Wave Music Is a Marketing Tactic, Not a Microgenre".
  24. ZHU, JASMINE. (2010-08-01). "Wavves rules the beach on new release".
  25. Mulvey, John. (2009-05-28). "Wavves: "Wavvves"".
  26. Scott, Tim. (2016-07-15). "Looking Back at Pink Reason’s ‘Cleaning the Mirror’, a Bona Fide Downer Classic".
  27. Miller, Eric T.. (2009-01-17). "15 In Philly: Siltbreeze Records".
  28. "Reviews".
  29. "Victim of Time Siltbreeze Catalog Overthrows Bottom of Hill in San Francisco Friday".
  30. Michel, Patrick St. (2009-12-13). "Lo-Fi Sugar Rush: Puffy Shoes {{!}} Make Believe Melodies".
  31. ZHU, JASMINE. (2010-08-01). "Wavves rules the beach on new release".
  32. Mulvey, John. (2009-05-28). "Wavves: "Wavvves"".
  33. Mattson, Jay. (2010-06-30). "Wavves – King of the Beach (2010) – Obscure Sound".
  34. Kornhaber, Spencer. (2009-02-28). "Wavves, 'Wavvves' (Fat Possum)".
  35. Staff, Flavorwire. (2009-11-02). "Best Coast, Washed Out, Pearl Harbour: Lo-Fi & Worth It".
  36. Hill, John. (2014-08-15). "Dreamcrusher Is a Queer, Black, Vegan Straight-Edge Noise Artist Who Is Never Changing".
  37. Hogan, Marc. (2013-05-02). "Watch MGMT Bash Out Another New Song Live, Reportedly 'Your Life Is a Lie'".
  38. Gordon, Jeremy. "Dead Gaze: Brain Holiday".
  39. Sisson, Patrick. "Various Artists: Fuck Dance, Let's Art: Sounds From a New American Underground".
  40. Harvell, Jess. "Joker: "Digidesign"".
  41. Thompson, Paul. "Times New Viking: Born Again Revisited".
  42. Pitchfork. (2010-01-04). "2009 Pitchfork Readers Poll".
  43. Fitzmaurice, Larry. (2018-10-23). "How Indie Rock's Class of 2008 Changed the Music Industry".
  44. Barshad, Amos. "Please Stop the Hyperpop—Musicians Are Resisting the Internet Micro-Genre". Wired.

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2000s-in-musicalternative-rock-genrescounterculture-of-the-2000smicrogenres21st-century-music-genresshitgaze