Paride ed Elena

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Opera by Christoph Willibald Gluck

title: "Paride ed Elena" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["1770-operas", "italian-language-operas", "operas-based-on-classical-mythology", "operas-by-christoph-willibald-gluck", "opera-world-premieres-at-the-burgtheater", "operas"] description: "Opera by Christoph Willibald Gluck" topic_path: "geography/italy" source: "https://en.wikipedia.org/wiki/Paride_ed_Elena" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary Opera by Christoph Willibald Gluck ::

Paride ed Elena (; Paris and Helen) is an opera by Christoph Willibald Gluck. It is the third of Gluck's so-called reform operas for Vienna, following Orfeo ed Euridice and Alceste, and the least often performed of the three. Like its predecessors, the libretto was written by Ranieri de' Calzabigi. The opera tells the story of the events between the Judgment of Paris and the flight of Paris and Helen to Troy. It was premiered at the Burgtheater in Vienna on 3 November 1770.

Roles

::data[format=table] | Role | Voice type | Premiere cast, 3 November 1770 (Conductor: – ) | |---|---|---| | Paride (Paris), son of King Priam of Troy | soprano castrato | Giuseppe Millico | | Elena (Helen), Queen of Sparta | soprano | Katherina Schindler | | Amore (Cupid), under the name of Erasto, Helen's confidant | soprano (en travesti) | Teresa Kurz | | Pallas Athene, the goddess | soprano | Gabriella Tagliaferri | | A Trojan | soprano | | ::

Synopsis

The hero Paris is in Sparta, having chosen Aphrodite above Hera and Athena, sacrificing to Aphrodite and seeking, with the encouragement of Erasto, the love of Helen. Paris and Helen meet at her royal palace and each is struck by the other's beauty. She calls on him to judge an athletic contest and when asked to sing he does so in praise of her beauty, admitting the purpose of his visit is to win her love. She dismisses him. In despair Paris pleads with her, and she begins to give way. Eventually, through the intervention of Erasto, who reveals himself as Cupid, she gives way, but Pallas Athene (Athena) warns them of sorrow to come. In the final scene Paris and Helen make ready to embark for Troy.

Arias

Arias from the opera that enjoy an independent concert existence include Paris's minor-key declaration of love, "O del mio dolce ardor" (O of my gentle love), in the first act. His second aria is "Spiagge amate" (Beloved shores). In the second act, again in a minor key, Paris fears that he may lose Helen in "Le belle immagini" (The fair semblance) and in the fourth would prefer death to life without Helen, "Di te scordarmi, e vivere" (To forget you and to live). The role of Paris offers difficulties of casting, written, as it was, for a relatively high castrato voice. Arias of Paris have been adapted for tenors, with transposition an octave lower, or appropriated by sopranos and mezzo-sopranos.

The aria "O del mio dolce ardor" was arranged for orchestra by Tchaikovsky in October 1870.

Performance history

After the première in the Burgtheater, Vienna, in 1770, there were 25 further performances in Vienna before 1800 (contrasting with more than 100 of his Orfeo ed Euridice and more than 70 of Alceste).

It seems that Gluck did not bring this opera to Paris - he was in Paris from 1773, but it was not performed there at this time.

The opera was put on in Naples in 1777 but no other productions have been traced until 1901, when it was revived in Prague, and 1905, when it was produced in Hamburg (in German, in a cut version in two acts). Nevertheless, a New York Times critic wrote that it had been performed in Berlin in 1863.

The opera received its first performance in the US in 1954 at the Town Hall in Manhattan. Another production was given at the Mannes College of Music in New York in 1991.

In the UK, the first performance was in Manchester in November 1963. What seems to have been the London première was on 21 October 2003, at the Barbican Hall.

There have been concert performances from time to time, and one in 1983 was followed by a recording. The opera was staged at the Drottningholm Theatre in Stockholm in 1987, with Magdalena Kožená as Paris.

In 2014 Essential Opera performed the opera in Toronto and Kitchener, Canada.

Odyssey Theatre staged the opera in Boston in February 2019.

Bampton Classical Opera plans to perform the opera in summer 2021, the 2020 performances having been postponed.

Seattle-based Puget Sound Concert Opera gave two unstaged performances in November, 2024.

Notes

Recordings

References

References

  1. Roles and premiere cast from the original libretto: ''[http://digital.onb.ac.at/OnbViewer/viewer.faces?doc=ABO_%2BZ252909207 Paride e Elena, dramma per musica]'', Vienna, Trattnern, 1770, accessible for free online at the [[Österreichische Nationalbibliothek]] Website.
  2. "O, del mio dolce ardor (Gluck)". Tchaikovsky Research.
  3. Olin Downes. (10 January 1954). "RARE GLUCK OPERA: 'PARIS AND HELEN' IN U. S. PREMIERE". The New York Times.
  4. (2013). "Richard Wagner: New Light on a Musical Life". McFarland & Co.
  5. Howard Taubman. (16 January 1954). "Gluck Work Has U. S. Bow 183 Years After Vienna Premiere". The New York Times.
  6. New York Magazine, 8 April 1991, p103
  7. (28 November 1963). "The Language of Gluck - Evocation of His Purpose". The Times.
  8. 'Opera', December 2003, pp1530-32
  9. "Paride ed Elena ('Paris and Helen')".
  10. Hugh Canning. (28 August 1998). "Billionaire required for nights of passion". The Times.
  11. "Paris and Helen".
  12. Leslie Barcza. (28 September 2014). "Paride ed Elena: birthday celebrations for Gluck". barczablog.
  13. "Gluck: Paride ed Elena {{!}} Odyssey Opera".
  14. (6 February 2019). "About the opera: Paride ed Elena".
  15. Kevin Wells. (18 February 2019). "Reform romcom: Odyssey Opera's 'Paride ed Elena'". Bachtrack.
  16. Keith Powers. (18 February 2019). "Gluck's Preamble To Trojan War Is Modern in Spirit". Classical Voice North America.
  17. Steven Ledbetter. (18 February 2019). "Gluck Tells Superb Tale of Seduction". The Boston Musical Intelligencer.
  18. George Loomis. (21 February 2019). "A very ''seria'' opera reform". The New Criterion.
  19. Salazar, David (16 March 2020). [https://operawire.com/bampton-classical-opera-unveils-cast-for-upcoming-gluck-production/ Bampton Classical Opera Unveils Cast for Upcoming Gluck Production, ''OperaWire''. Retrieved 22 April 2020.]
  20. "Paris and Helen".
  21. "Paride ed Elena".
  22. John von Rhein. (29 July 2005). "Gluck: Paride ed Elena". Chicago Tribune.
  23. Jack Camner (reprinted from [[Fanfare (magazine). "Gluck: Paride ed Elena / McCreesh, Kozená, Gritton".
  24. {{YouTube. WqJJ7cUDYDw. ''Paride ed Elena'', RAI di Milano, 1968

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1770-operasitalian-language-operasoperas-based-on-classical-mythologyoperas-by-christoph-willibald-gluckopera-world-premieres-at-the-burgtheateroperas