Onufri

Quality 0.50 · 1 view · Updated 2 months ago

Albanian archbishop and painter

title: "Onufri" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["16th-century-albanian-people", "greek-icon-painters", "albanian-eastern-orthodox-priests", "greek-eastern-orthodox-priests", "eastern-orthodox-icons", "members-of-the-ecumenical-patriarchate-of-constantinople", "albanians-in-the-republic-of-venice", "greeks-in-the-republic-of-venice", "people-from-elbasan", "16th-century-greek-painters"] description: "Albanian archbishop and painter" topic_path: "general/16th-century-albanian-people" source: "https://en.wikipedia.org/wiki/Onufri" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary Albanian archbishop and painter ::

::figure[src="https://upload.wikimedia.org/wikipedia/commons/5/53/Onufri_statue_Berat_Albania_1995_small.jpg" caption="A statue of Onufri in Berat, Albania"] ::

Onufri (; ; ), Onouphrios of Neokastro or Onouphrios Argytes, was a 16th century Archpriest of Elbasan and the most important painter of Orthodox murals and icons in the early post-Byzantine era in Albania. He founded a school of painting in Berat and extended his influence as far afield as Kastoria. Trained in Venice, he infused Albanian icon painting with the artistic climate of the Italian Renaissance. His works reveal a great degree of originality and ecclesiastically combined post-Byzantine and Gothic elements. Onufri's works played a decisive role in the following trends of Albanian art, up to the 19th century.

The Onufri Iconographic Museum, an Albanian national museum in Berat, is named after the painter.

Life

Little is known with certainty about Onufri's life and his existence only emerged in the early 20th century. Regarding his birthplace only an inscription in the Holy Apostles church near Kastoria has survived. Onufri is believed to have been born in the early 16th century either in the region of Berat (in today's Albania) or near Kastoria or Grevena (in today's northern Greece). The epithet Argitis, which appears in a fresco near Kastoria may point to Argos as his place of birth, although as he used it only once it is regarded probable that it refers to a location in the area of Kastoria. His flawless Greek calligraphic inscriptions is an indicator that he received high-level education. He was educated in the Republic of Venice and was a member of the Greek Brotherhood of Venice.

In the climate of the time, the painting of Christian icons can be seen as an act to restore pre-Ottoman culture. He was active in Berat and possibly Venice until 1547. Then he worked in both Berat and Kastoria and in 1555, in Shelcan near Elbasan. He may have also been the painter of various murals in the church of St. Nicholas near Prilep (North Macedonia). After 1554, he lived and painted in the village of Valsh. In a number of churches his works were signed with the title "Protopapas" (), demonstrating a senior position in the church hierarchy. However, his signature has not been preserved on icons that have been also attributed to him such as a Dodekaorton icon at that is preserved at the National Museum of Medieval Art in Korce.

Work

Onufri introduced greater realism and individuality into facial expressions, breaking with the strict conventions of the time. He was the first to introduce the colour pink into icon painting. The secret of this colour was not passed on and died with him. His work is noted for the intense use of colours and the use of natural dyes. Onufri's painting well attests red as a traditional Albanian color. The works of Onufri were significantly influenced by western art, as a result of his possible stay in Venice, being a member of the local Greek fraternity. Western traces are few and they can be probably explained due to the contact with the paintings of the Cretan School.{{cite journal | last = Kirchhainer | first = Karin | year = 2003 | title = Das Ossuarium des Petrus- und Paulus- Kloster in Vithkuq (Nordepirus) und seine Freskendekoration (1750) | journal = Makedonika | volume = 34 | issue = 4 | pages = 149–208 | url = http://media.ems.gr/ekdoseis/makedonika/makedonika_34/ekd_pemk_34_Kirchhainer.pdf | language = de | access-date = 2010-07-04 | doi = 10.12681/makedonika.872 | doi-access = free }}

Onufri founded a school of painting in Berat, which was passed on to his son Nikolla, and upon his death to Onouphrios Cypriotes (Onufri Cypriota) and Kostandin Shpataraku.

Gallery

File:Resurrection of Lazarus.jpg|"The Resurrection of Lazarus." Byzantine icon painted by Onufri, 16th century. Museum of Mediaeval Art in Korça. File:Saint Apostles Church in Kastoria, Saint Mary Vlahernitissa Fresco, Onufri Argites, 1547.JPG|Fresco in Holy Apostles church in Kastoria (16th) File:Agii Apostoli Eleousas Kastoria Fresco 2013.JPG|Sts Peter and Paul fresco, Holy Apostles church in Kastoria File:Mary and Child.jpg|Mary and Child. Icon by Onufri, 16th century. File:Onufri Christus.JPG|Icon by Onufri in Cathedral of Berat. File:Apostel_Petrus_(Nikolla_Onufri).jpg|Icon of the Apostle Saint Peter, painted by Nikolla, son of Onufri, second half of 16th century. Today Onufri-Museum Berat. File:Konstantin_%26_Helena.jpg|The Roman Emperor Constantine I with his mother Helena of Constantinople, who found the holy cross in Jerusalem. Icon painted by Nikolla, son of Onufri, in the St. Mary of Blachernae Church, Berat (Albania), second half of 16th century.

References

References

  1. Popa, Theophan. (1974). "Onufri, master of fantasy and realism: a 16th-century Albanian painter of icons and frescoes virtually unknown outside his country". [[UNESCO]].
  2. Robert Elsie. (2010). "Historical Dictionary of Albania". Rowman & Littlefield.
  3. (1997). "Epirus, 4000 Years of Greek History and Civilization". Ekdotikē Athēnōn.
  4. (2008). "Migrazioni e integrazione: il caso degli Albanesi a Venezia (1479-1552)". Bulzoni.
  5. Norris, H.T.. (1993). "Islam in the Balkans Religion and Society Between Europe and the Arab World". University of South Carolina Press.
  6. (2005). "Revue des études byzantines". Institut français d'études byzantines..
  7. Williams, Bruce. (2016). "Popular Music in Eastern Europe: Breaking the Cold War Paradigm". Springer.
  8. Sissiou, Ioannis. "Ο παλαιός των ημερών ως ξεχωριστή εικονογραφική σύλληψη του ζωγράφου Ονούφριου στην Καστοριά". Recueil des travaux de l’Institut d’etudes byzantines.
  9. Rasolkoska-Nikolovska, Zagorka. (March 2018). "Zbornik Matice srpske za likovne umetnosti". [[Matica Srpska]].
  10. Rasolkoska-Nikolovska, Zagorka. (January 2022). "Zbornik Matice srpske za likovne umetnosti". [[Matica Srpska]].
  11. Folić, Milutin. (1991). "Stanovništvo slovenskog porijekla u Albaniji : (zbornik radova sa Međunarodnog naučnog skupa održanog u Cetinju 21, 22. i 23.juna 1990)". Istorijski institut SR Crne Gore.
  12. Popa, Theofan. ''Ikona dhe miniatura mesjetare në Shqipëri''. Tirana: 8 Nëntori, 1974.
  13. Nikolovski, Darko. "Carskite dveri od crkvata Sv. Nikola vo s. Zrze - Prilep ['The Royal Doors from the church of St.Nicholas in Zrze-Prilep']".
  14. (2006). "Icons from the Orthodox Communities of Albania: Collection of the National Museum of Medieval Art, Korce". Museum of Byzantine Culture, Thessaloniki; European Centre tor Byzantine and Post-Byzantine Monuments, Thessaloniki; National Museum of Medieval Art, Korcë.
  15. Masters, Tom. (2007). "Eastern Europe". Lonely Planet.

::callout[type=info title="Wikipedia Source"] This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page. ::

16th-century-albanian-peoplegreek-icon-paintersalbanian-eastern-orthodox-priestsgreek-eastern-orthodox-priestseastern-orthodox-iconsmembers-of-the-ecumenical-patriarchate-of-constantinoplealbanians-in-the-republic-of-venicegreeks-in-the-republic-of-venicepeople-from-elbasan16th-century-greek-painters