Marie Powers

American opera singer (1902–1973)


title: "Marie Powers" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["american-operatic-contraltos", "1902-births", "1973-deaths", "cornell-university-alumni", "people-from-mount-carmel,-pennsylvania", "singers-from-pennsylvania", "20th-century-american-women-opera-singers", "classical-musicians-from-pennsylvania"] description: "American opera singer (1902–1973)" topic_path: "arts" source: "https://en.wikipedia.org/wiki/Marie_Powers" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary American opera singer (1902–1973) ::

::data[format=table title="Infobox musical artist"]

FieldValue
backgroundperson
nameMarie Powers
landscape
birth_name
birth_date
birth_placeMount Carmel, Pennsylvania, U.S.
death_date
death_placeNew York City, New York, U.S.
occupationContralto
years_active1919–1960s
spouseLuigi Crescentini
website
::

| background = person | honorific_prefix = | name = Marie Powers | honorific_suffix = | image = | image_upright = | image_size = | landscape = | alt = | caption = | birth_name = | alias = | birth_date = | birth_place = Mount Carmel, Pennsylvania, U.S. | origin = | death_date = | death_place = New York City, New York, U.S. | genre = | occupation = Contralto | instrument = | years_active = 1919–1960s | label = | current_member_of = | past_member_of = | spouse = Luigi Crescentini | website = | module = Marie Powers (June 20, 1902 – December 29, 1973), also known as Countess Crescentini, was an American contralto who was best known for her performance as Madame Flora in Gian Carlo Menotti’s The Medium, a role that she played on stage, screen and television.

Early life and education

Powers was born in Mount Carmel, Pennsylvania, the daughter of Daniel Powers and Rose Anne Powers. All of her grandparents were born in Ireland. She studied music and language at Cornell University. Powers studied in New York with Frank La Forge, and earned a master's degree at the Royal Conservatory in Florence, Italy.

Career

Powers sang in Europe in the 1920s and 1930s, including a stint with the Paris Opera and appearances at La Scala under conductor Arturo Toscanini. She returned to the United States in 1937, and was a contralto soloist in concerts of Verdi's Requiem, Handel's Messiah, and Constant Lambert's Rio Grande. She also gave recitals for community groups.

In 1947, Italian writer Lanfranco Rasponi introduced her to Menotti, who was casting the role of the fraudulent psychic in his opera The Medium. The opera was staged on Broadway along with another one-act Menotti opera, The Telephone, or L'Amour à trois. Powers was noted for her dramatic performance as the phony psychic, and she repeated the role on live television in 1948 and in an expanded film production directed by Menotti in 1951. In 1950, Robert Wahls of the Daily News described Powers as "a first ranking contralto and one of the few singers with an unfailing sense of theatre."

Powers appeared in the 1957 Broadway revival of the musical Carousel, and as the Queen Mother in the original 1960 production of Becket with Laurence Olivier and Anthony Quinn. In 1964 she directed and sang in a production of The Medium at the Peabody Conservatory in Baltimore. She toured in Asian and Australia in 1966, performing on radio and television programs.

Personal life

Powers married Luigi Crescentini, an Italian count. In 1938, her husband died. Powers died of heart failure in 1973, in New York City, at the age of 71.

References

References

  1. (August 30, 1944). "Marie Powers, Noted Contralto, Guilford Visitor". The Bangor Daily News.
  2. (September 16, 1943). "Marie Powers to be Guest Soloist in Presbyterian Church". Mount Carmel Item.
  3. 1920 United States census, via Ancestry.
  4. (April 22, 1937). "Marie Powers Sings Tonight". Cornell Daily Sun.
  5. (February 18, 1966). "Maria Powers to Perform at Westchester Woman's Club". Mount Vernon Argus.
  6. (December 19, 1946). "Top Contralto Booked for 'The Messiah'". The Salt Lake Tribune.
  7. (1932-03-03). "Marie Powers to Sing for Fenimore Players". Mount Vernon Argus.
  8. (April 3, 1933). "Noted Artists Sing Tomorrow". The Danville News.
  9. Regal, Francis. (October 13, 1932). "Worcester Hears New Compositions at Music Festival". Springfield Weekly Republican.
  10. (August 20, 1937). "Marie Powers Featured on Program to Open Westchester Woman's Club". Mount Vernon Argus.
  11. (1937-09-24). "Marie Powers Sings Tonight at Local Club". Mount Vernon Argus.
  12. Wahls, Robert. (May 28, 1950). "Singer Needs Excitement Offstage". Daily News.
  13. (October 6, 1967). "Marie Powers Sends Baltimore Her Love". The Evening Sun.
  14. (December 31, 1973). "Marie Powers, Contralto, Dies; Noted for Menotti Opera Roles".
  15. Phillips, Harvey E.. (January 13, 1974). "Marie Powers: A Farewell". The New York Times.

::callout[type=info title="Wikipedia Source"] This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page. ::

american-operatic-contraltos1902-births1973-deathscornell-university-alumnipeople-from-mount-carmel,-pennsylvaniasingers-from-pennsylvania20th-century-american-women-opera-singersclassical-musicians-from-pennsylvania