Lev Knipper

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Soviet Russian composer (1898–1974)

title: "Lev Knipper" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["1898-births", "1974-deaths", "soviet-classical-composers", "20th-century-russian-male-musicians", "musicians-from-tbilisi", "people-from-tiflis-governorate", "gnessin-state-musical-college-alumni", "people's-artists-of-the-rsfsr", "recipients-of-the-stalin-prize", "russian-male-opera-composers", "russian-opera-composers", "soviet-male-classical-composers", "russian-people-of-german-descent", "soviet-opera-composers"] description: "Soviet Russian composer (1898–1974)" topic_path: "arts" source: "https://en.wikipedia.org/wiki/Lev_Knipper" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary Soviet Russian composer (1898–1974) ::

::data[format=table title="Infobox person"]

Field	Value
name	Lev Knipper
birth_date
birth_place	Tiflis, Tiflis Governorate, Russian Empire
(today Tbilisi, Georgia)
birthname	Lev Konstantinovich Knipper
death_date
death_place	Moscow, Russian SFSR, USSR
othername	Лев Константинович Книппер
occupation	Composer, secret police agent
yearsactive	1922–1974
spouse	{{plainlist
*	reason
* {{marriage	Mariya Garikovna Melikova
relatives	Olga Knipper (aunt)
Olga Chekhova (sister)
(son)
::

| post-nominals = | image = | imagesize = | name = Lev Knipper | birth_date = | birth_place = Tiflis, Tiflis Governorate, Russian Empire (today Tbilisi, Georgia) | birthname = Lev Konstantinovich Knipper | death_date = | death_place = Moscow, Russian SFSR, USSR | othername = Лев Константинович Книппер | occupation = Composer, secret police agent | yearsactive = 1922–1974 | spouse = {{plainlist|

Tatiana Alekseevna Gaidamovich | relatives = Olga Knipper (aunt) Olga Chekhova (sister) (son) Lev Konstantinovich Knipper (Russian: Лев Константи́нович Кни́ппер; – 30 July 1974) was a Soviet and Russian composer and OGPU/NKVD agent.

Life and career

::figure[src="https://upload.wikimedia.org/wikipedia/commons/2/26/Knipper_1.jpg" caption="Young Lev (left) with sisters Ada (center) and Olga (right); date unknown"] ::

Lev Knipper was born in Tiflis to railway engineer Konstantin Leonardovich Knipper and Elena-Luiza Yulyevna Rid. Shortly after his birth, the family relocated to Tsarskoye Selo, then to Yekaterinoslav in 1910, and then Saint Petersburg in 1913. He was greatly influenced by his father's sister, the actress Olga Knipper (wife of the playwright Anton Chekhov), who encouraged his musical interests. He learned to play clarinet, double bass, various brass instruments, and taught himself to play piano.

Knipper enlisted in the White Army in 1916. Following the Russian Civil War of 1917, he became stranded in Turkey, though was eventually able to reunite with his aunt Olga, who was touring abroad. Upon his return to the RSFSR in 1922, he was repeatedly interviewed and ultimately recruited by the OGPU foreign department. At their behest, Knipper travelled to Germany in 1922–23, where he made the acquaintance of composers Alois Hába, Philipp Jarnach, and Paul Hindemith. Hindemith's music in particular had a strong influence on Knipper's own compositional language.

Through the connections of his aunt, Knipper made the acquaintance of Elena Gnesina, who hired him as building administrator at the Gnessin Music School in Moscow. Though Knipper was too old to be officially admitted as a student, he was nonetheless able to study with Reinhold Glière and Nikolai Zhilyayev. The opera is also noted for its defiance of typical operatic conventions.

Seemingly in response to criticism of his modernist early works, Knipper resigned his post as technical secretary to the ACM and abruptly shifted his style towards one more in line with the principles of socialist realism. In 1930–1931, he travelled to Central Asia to study the region's folk music. He was particularly drawn to Tajik music, which directly influenced eight of his works. Dmitry Kabalevsky pointed out the shortcomings of Knipper's approach to combining mass-songs and the surrounding symphonic material. In his Sixth Symphony, Op. 47 (1936), Knipper apparently veered too close to his earlier style and was publicly rebuked for it; his Seventh Symphony "Military" (1938) returned to an ideologically safer style.

Knipper continued to compose during the Great Patriotic War, though much of his time was devoted to extensive travel for the NKVD, which he continued to serve until 1949. According to secret intelligence documents released in 2002, Knipper and his wife were to play a key role if the Nazis should capture Moscow. Under the plan, ballerinas and circus acrobats were to be armed with grenades and pistols in order to assassinate German generals if they attempted to organize concerts and other celebrations in the event of the city's capture. Knipper was personally charged with the responsibility of killing Adolf Hitler; an opportunity the NKVD suspected might arise due to Knipper's sister, Olga, having social connections with high-ranking Nazis, including Hermann Göring.

Knipper was prolific. He wrote 5 operas (including one on The Little Prince), 20 symphonies, ballets, pieces for piano and other film musics.

The primary publishers of Knipper's works are Muzyka, and Le Chant du Monde. Most of his published compositions are currently out of print, and the majority of his output has yet to be published.

List of works

Symphonies

Symphony No. 1 in 4 parts, Op. 13 (1926) – dedicated to Olga Knipper
Symphony No. 2, Op. 30 (1929)
Symphony No. 3 "Far East," Op. 32 (1932) – poetry by Viktor Gusev
Sinfonietta, Op. 33 (1932)
Symphony No. 4 "Poem for the Komsomol Fighters" (1934, rev. 1966) – poetry by Viktor Gusev
Symphony No. 5 (1935)
Symphony No. 6, Op. 47 (1936)
Symphony No. 7 "Military" in 3 parts (1938)
Symphony No. 8 in 3 movements (1941)
Symphony No. 9 in 4 movements (1944–45)
Symphony No. 10 in 4 movements (1946) – dedicated to Nikolai Myaskovsky
Symphony No. 11 in 4 movements (1949)
Symphony No. 12 in 3 parts (1950)
Symphony No. 13 in 4 parts (1951–52) – dedicated to Nikolai Myaskovsky
Sinfonietta in 4 movements (1952)
Symphony in 4 movements (1954)
Symphony No. 14 for string orchestra in 4 parts (1961–62)
Symphony No. 15 (1962)
Symphony No. 16 (1962–69)
Symphony No. 17 in 3 movements (1969–70)
Symphony No. 18 (1970–71)
Sinfonietta for string orchestra in 4 movements (1971–72)
Symphony No. 20 in 3 parts (1972)
Symphony No. 21 "Dances" in 5 parts (1972)

Concertante

Violin
- Souvenir: Six pieces for violin and symphony orchestra, Op. 31 (1932)
- Three Variations on a Theme for violin and symphony orchestra, Op. 31a (1932)
- Concerto No. 1 (1942–44) – dedicated to Olga Knipper
- Sonatina for violin and string orchestra (1948)
- Concertino for violin and string orchestra (1962)
- Little Concerto in Classical Style (1964–65) – dedicated to Arkady Futer
- Concerto No. 3 (1969–70) – dedicated to Leonid Kogan
Viola
- Concerto (1962)
Cello
- Concerto-Monologue for cello, seven brass instruments and timpani (1962) – dedicated to Mstislav Rostropovich
- Concerto-Poem for cello and chamber orchestra (1971) – dedicated to Natalia Shakhovskaya
Woodwinds
- Clarinet Concerto (1967) – dedicated to Rafael Bagdasarian
- Concerto-Suite for oboe, string quartet and percussion (1968) – dedicated to Konstantin Paustovsky
- Concerto for bassoon and string orchestra (1969–70) – dedicated to Valery Popov
Brass
- Four Improvisations & Finale for horn and string orchestra (1971)
Double concertos
- for violin, cello and orchestra (1945)
- for violin, cello and wind septet (1967) - dedicated to Tatiana Alekseevna Gaidamovich
- for trumpet and bassoon (1968)
String quartet
- Radif: suite in Iranian style for string quartet and string orchestra (1944)
- Concerto for string quartet and orchestra (1963)
- Symphonic Concerto for string quartet and symphony orchestra (1964–65)

Chamber music

Reflections: Six sketches for flute and clarinet, Op. 11 (1925)
To my Son: Four miniatures, Op. 27 (1931) – dedicated to
Four Pieces for violin and piano (1943)
String quartets
- No. 1 (1943) – dedicated to the Bolshoi Quartet
- Six Miniatures on Kirghiz Themes (1956)
- No. 2 (1962)
- No. 3 (1972–73) – dedicated to N. M. Skuzovatova
Concert Scherzo for violin and piano (1962)
Pieces for flute and harp (1963)
Piano trios
- No. 1 (1968–71) – dedicated to Tatiana Alekseevna Gaidamovich
- No. 2 (1971–73) – dedicated to Tatiana Alekseevna Gaidamovich
Concert Etude for flute and trumpet (1971)
Scherzo for flute, trumpet and piano (1971)

Film music

The Private Life of Pyotr Vinogradov (1934)
The Red Cavalry (1935)
The Soviet Coast (documentary, 1951)
Immortal Pages (documentary, 1965)

Honors and awards

References

Пажитнов, Евгений. "Род Книппер".
Gaïdamovitch, Tatiana. (2006). "Lev Konstantinovitch Knipper". Le Chant du Monde.
Sitsky, Larry. (1994). "Music of the Repressed Russian Avant-Garde, 1900–1929". Greenwood Press.
Beevor, Antony. (2005). "The Mystery of Olga Chekhova". Penguin Publishing Group.
Abraham, Gerald. (1943). "Eight Soviet Composers". Oxford University Press.
Lemaire, Frans C.. (1994). "La Musique du XXe siècle en Russie et dans les anciennes Républiques soviétiques". Fayard.
Dvoskina, Elena. "Knipper, Lev Konstantinovich". Oxford University Press.
Fischer, Benjamin B.. (2004). "Lubyanka in the Days of the Battle for Moscow: Materials from the Organs of State Security SSSR from the Central Archive FSB Russia". Central Intelligence Agency.
{{cite archive. Lev. Knipper
Widstrand, Alex Christopher. (Spring 2018). "Lev Konstantinovich Knipper's Concerto for Bassoon and String Orchestra: Introduction and Critical Performing Edition". [[University of Iowa]].

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