John Plumbe

Welsh-born American photographer


title: "John Plumbe" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["american-portrait-photographers", "1809-births", "1857-deaths", "19th-century-american-photographers", "welsh-emigrants-to-the-united-states"] description: "Welsh-born American photographer" topic_path: "geography/united-states" source: "https://en.wikipedia.org/wiki/John_Plumbe" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary Welsh-born American photographer ::

::figure[src="https://upload.wikimedia.org/wikipedia/commons/f/f3/1846_SelfPortrait_detail_byJohnPlumbe.png" caption="Self-portrait by Plumbe, 1846"] ::

John Plumbe Jr. (occasionally Plumb; July 13, 1809 – May 29, 1857) was a Welsh-born American entrepreneurial photographer, gallerist, publisher, and an early advocate of an American transcontinental railroad in the mid-19th century. He established a franchise of photography studios in the 1840s in the U.S., with additional branches in Paris and Liverpool. He created a lithographic process for reproducing photographic images, called the "plumbeotype."

Biography

Plumbe was born in Castle Caereinion, Powys, Wales in 1809, to John Plumbe and Frances Margaretta Atherton. The family moved to Philipsburg, Pennsylvania in 1821,{{Citation |publisher = Stanford University Press |isbn = 0-8047-3883-1 |ol = 17876198M |location = Stanford, Calif |title = Pioneer photographers of the far west |author = Peter E. Palmquist |date = 2000 |id = 0804738831

Vision for a transcontinental railroad

He began his career as a civil engineer. "He studied civil engineering while still in his late teens and by 1829 was surveying sites for future railroad routes in the southern and eastern portions of the country. About 1836 he relocated to the Wisconsin Territory, where he became and advocate for a transcontinental railroad." Plumbe reasoned that a transcontinental railroad "would hasten the formation of dense settlements throughout the whole extent of the road, advance the sales of the public lands, afford increased facilities to the agricultural, commercial and mining interests of the country...and enable the government to transport troops and munitions of war."

Throughout his life Plumbe would continue to press for the railroad, petitioning Congress and presenting his ideas in various newspapers and other publications for his railroad to be looked at strong.

Daguerreotype galleries, 1840-1847

::figure[src="https://upload.wikimedia.org/wikipedia/commons/0/02/Plumb_WashDC_KrainikGallery.png" caption="Plumb Daguerrian Gallery, Brown's Hotel, Pennsylvania Ave., Washington DC"] ::

Plumbe "took up photography in 1840 after seeing the work of an itinerant daguerreotypist in Washington, D.C."—probably the work of John G. Stevenson.

In a short period of time, Plumbe established a string of daguerreotype studios and galleries, all bearing his name. Visitors to the galleries could view photographic works, receive training, and/or pay to have their portrait taken. Images produced in the Plumbe Studios were credited to "Plumbe," although the work was made by others, including his brother Richard Plumbe. "Each of his galleries was staffed by a host of operators, colorists, and artisans, and many notable daguerreotypists received their training or honed their skills in Plumbe's galleries, including Richard Carr, Marsena Cannon, Charles E. Johnson, Jacob Shew, Myron Shew, and William Shew." Others who learnt photographic arts through the Plumbe franchise included Ezra Chase, Samuel Masury, C.S. Middlebrook, and Gabriel Harrison.

In the 1840s in the United States there were Plumbe franchises in:

  • Arkansas—Plumbe's Daguerrian Gallery
  • Galena, Illinois
  • Dubuque, Iowa
  • Kentucky:
    • Harrodsburg Springs, Kentucky
    • Louisville, Kentucky
  • New Orleans, Louisiana
  • Portland, Maine
  • Maryland:
    • Baltimore, Maryland—Plumbe Daguerrian Gallery, North St.; Plumbe National Daguerrian Gallery, Baltimore St.
    • Frederick, Maryland
  • Massachusetts:
    • Boston, Mass. -- United States Photographic Institute (1841); Plumbe Daguerrian Gallery, Court St.; Plumbe National Daguerrian Gallery, Hanover St.; Plumbe's Daguerrean Rooms, Court Street (1849–1850); Plumbe's Daguerrian Gallery, Washington Street (1850–1851).
    • Salem, Massachusetts
  • St. Louis, Missouri
  • Exeter, New Hampshire
  • New York:
    • Albany, New York—Plumbe Daguerrian Gallery
    • New York, New York—Plumbe Daguerrian Gallery, Broadway; Plumbe National Daguerrian Gallery, Broadway
    • Saratoga Springs, New York—Plumbe National Daguerrian Gallery, Broadway
  • Cincinnati, Ohio
  • Pennsylvania:
    • Harrisburg, Pennsylvania
    • Philadelphia, PA—Plumbe Daguerrian Gallery, Chestnut St.; Plumbe National Daguerrian Gallery, Chestnut St.
  • Newport, Rhode Island—Plumbe Daguerrian Gallery, Thames St.
  • Virginia:
    • Alexandria, Virginia
    • Petersburg, Virginia
  • Washington, DC—Plumbe National Daguerrian Gallery, Pennsylvania Ave., Main St., Walnut St.

Abroad, he opened branches in:

  • Liverpool, England—Plumbe National Daguerrian Gallery, Church St.
  • St. Catharines, Ontario, Canada
  • Paris, France—Plumbe National Daguerrian Gallery, Vieille Rue du Temple

By 1847-1848 Plumbe sold his part of the galleries he'd established. "He sold his New York gallery to William H. Butler, his head man there, in 1847, and the other galleries soon changed ownership, though the name "Plumbe's Daguerrean Gallery" was retained as late as 1852 in Boston (John P. Nichols, proprietor), and 1850 in Washington (Blanchard P. Paige, proprietor)."

Exhibitions

Plumbe entered his photographic work in several exhibitions, including:

  • Massachusetts Charitable Mechanic Association, Quincy Hall, Boston, 1844. Plumbe exhibited "35 daguerreotypes, in frames. Peculiarly pleasing, and natural in expression. Silver medal."
  • Fair of the American Institute, NY (1845)

Publishing

In 1846 he founded the National Publishing Company which produced the weekly Popular Magazine (Augustine J.H. Duganne, editor) and other works.

California and Iowa, 1849-1857

Plumbe lived in California from 1849 to 1854. In 1854 returned to Dubuque, Iowa. He may have worked for photographer Mathew Brady, c. 1855-1857. He died in Iowa in 1857, at age 48.

Legacy

Examples of Plumbe's work are in the New York Public Library.

In 2024, the National Portrait Gallery obtained a daguerreotype of Dolley Madison, taken about 1846 by Plumbe, that is the earliest known photograph of any U.S. First Lady.

Gallery

;Works by John Plumbe: Image:Man ca1842 byJohnPlumbe Getty.jpg|Man reading, c. 1842 Image:DanielDickinson ca1840s byJohnPlumbe LOC.png|Daniel Dickinson, 1840s Image:GeorgeBancroft ca1844 byJohnPlumbe Smithsonian.jpg|George Bancroft, c. 1844 Image:Capitol1846.jpg|U.S. Capitol, by Plumbe, 1846 Image:White House 1846.jpg|White House, by Plumbe, 1846 Image:JamesBankhead ca1846 byJohnPlumbe DaguerreianSociety.png|Col. James Bankhead, 2nd U. S. Artillery. c. 1846. by J. Plumbe Image:1847 Plumbeian KrainikGallery.png|The Plumbeian, 1847 Image:Woman children byJohnPlumbe DaguerreianSociety.png|Woman and children, 19th century Image:Irving-Washington-LOC.jpg|Washington Irving. Copy daguerreotype by Mathew Brady, reverse of original by John Plumbe.

References

References

  1. Clifford Krainik. (1997). "National Vision, Local Enterprise: John Plumbe Jr. and the Advent of Photography in Washington DC". Washington History.
  2. Mary Sayre Haverstock. (2000). "Artists in Ohio, 1787-1900". Kent State University Press.
  3. Plumbe, writing in a Wisconsin newspaper. Quoted in: Krainik. 1997; p.5.
  4. link. (2011-06-07 Retrieved 2011-04-19)
  5. New York Herald. May 21, 1845.
  6. Morning News (New London, CT). July 8, 1846.
  7. Boston Directory. 1849, 1850, 1851.
  8. The Sun (Baltimore). Nov. 29, 1843.
  9. Newport Mercury. Jan. 1, 1844.
  10. Beaumont Newhall. (1976). "The daguerreotype in America". Dover Publications.
  11. 4th exhibition of the Massachusetts Charitable Mechanic Association. 1844.
  12. The Sun (Baltimore). Nov. 3, 1845.
  13. Museum of Fine Arts Boston. Label for "Ring with miniature portrait of Washington Irving."
  14. San Joaquin Republican. 08-22-1857
  15. (2010). "Photographers in The New York Public Library's Photography Collection". New York Public Library.
  16. Akers, Torey. (July 9, 2024). "Earliest known photograph of a US First Lady acquired by National Portrait Gallery".

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american-portrait-photographers1809-births1857-deaths19th-century-american-photographerswelsh-emigrants-to-the-united-states