Dharmavati

59th raga in the Melakarta


title: "Dharmavati" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["melakarta-ragas"] description: "59th raga in the Melakarta" topic_path: "general/melakarta-ragas" source: "https://en.wikipedia.org/wiki/Dharmavati" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary 59th raga in the Melakarta ::

::data[format=table title="Infobox ragam"]

FieldValue
nameDharmavati
arohanam
avarohanam
::

| name = Dharmavati | synonym = | image_name = | image_alt = | mela = | chakra = | type = | arohanam = | avarohanam = | jeeva = | chhaya = | nyasa = | vishesha = | equivalent = | similar = Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhaamavati in Muthuswami Dikshitar school of Carnatic music. Madhuvanti is the nearest Hindustani music scale to Dharmavati. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury (disciple of Pandit Ravi Shankar).

Structure and Lakshana

::figure[src="https://upload.wikimedia.org/wikipedia/commons/5/5f/Dharmavati_scale.svg" caption="''Dharmavati'' scale with Shadjam at C"] ::

It is the 5th rāgam in the 10th chakra Disi. The mnemonic name is Disi-Ma. The mnemonic phrase is sa ri gi mi pa dhi nu. Its structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

  • :
  • : (the notes in this scale are chathusruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham, kakali nishadham)

As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Gourimanohari, which is the 23rd melakarta.

''Janya'' rāgams

Dharmavati has a few janya rāgams (derived scales) associated with it, of which Madhuvanti, Ranjani, Sri Tyagaraja and Vijayanagari are popular in concerts. See List of janya rāgams for all rāgams associated with Dharmavati.

Compositions

Here are a few common compositions sung in concerts, set to Dharmavati.

Film Songs

Notable film composers like T.G.Lingappa, M.S.Viswanathan , Ilaiyaraja and later A. R. Rahman have composed film songs based on the scale of Dharmavati. T.G.Lingappa composed song such as 'kanasalli bandavanyare' (Shruti seridaga). Ilaiyaraja composed songs such as 'Meendum Meedum Vaa' (Vikram), 'Andhela Ravamidhi', (Swarna Kamalam), 'Vaanaville' (Ramana), 'Nataraaja paadaalu' (Aalaapana) in this raaga while Rahman composed "Ottagathai Kattiko", in the 1993 Tamil film Gentleman, based on the Dharmavati scale.

Language:[[Tamil language|Tamil]]

::data[format=table]

SongMovieComposerSinger
Kaadhal Kaadhal Endru PesaUttharavindri Ulle VaaM. S. ViswanathanP. Susheela, M. L. Srikanth
AmmaanaiAvan Oru SarithiramT. M. Soundararajan, Vani Jayaram
Hello My Dear Wrong NumberManmadha LeelaiK. J. Yesudas, L. R. Eswari
Mella Pesungal PirarKasethan KadavuladaKovai Soundarajan, L. R. Eswari
Oomai Pennai Pesa SonnalAlaigalS. Janaki
Kaalai MaalaiGnana ParavaiK. J. Yesudas, K.S. Chitra
Nandhaa En NilaNandhaa En NilaV. DakshinamoorthyS. P. Balasubrahmanyam
Ilam Solai PoothadhalUnakkaagave VaazhgirenIllayaraja
Konji KonjiVeera
Natarajan Kudi KondaSalangaiyil Oru Sangeetham
Yennullil YengoRosappu RavikkaikariVani Jairam
Vaazhvae MaayamaGaayathriB. S. Sasirekha
Vaanaville VaanavilleRamanaaHariharan, Sadhana Sargam, Illayaraja
Hey AiyasamyVarusham PadhinaaruS. P. Balasubrahmanyam, K.S. Chitra
Vaadagai VeedithuPaadatha ThenikkalVani Jairam, Mano
Meendum Meendum vaVikramS. P. Balasubrahmanyam, S. Janaki
Otagatho KattikoGentlemanA. R. Rahman
Idhu SugamVandicholai ChinraasuS. P. Balasubrahmanyam, Vani Jairam
Padal Naan PadaIdhu Oru ThodarkathaiGangai AmaranS. P. Balasubrahmanyam
Kobam EnnaVelli NilaveKotiS. P. Balasubrahmanyam, K.S. Chitra
Oh SwarnamukiKaruppu VellaiDeva
Ooh Anthi Nera KaatheMappillai Manasu PoopolaP.Rajagopal
Ulagathil UllaThai PoranthachuP. Unnikrishnan, Sujatha Mohan
Un SamayalarayilDhillVidyasagar
Thavaminri kidaithaAnbuHariharan, Sadhana Sargam
Silendra Theepori OndruThithikudheSujatha Mohan
Tha Thi ThomAzhaganM. M. KeeravaaniK.S. Chitra
Un AzhagukkuAalavandhanShankar–Ehsaan–LoyShankar Mahadevan, Sujatha Mohan
Kanaa Kaanum Kaalangal7G Rainbow ColonyYuvan Shankar RajaHarish Raghavendra, Srimathumitha, Ustad Sultan Khan
Kanda Naal Mudhalai (Ragam Madhuvanti)Kanda Naal MudhalSubhiksha, Pooja
Eno UyirmelePunnagai PooveBhavatharini
Vaada Bin LadaMankathaKrish, Suchitra
Enakena YerkanaveParthen RasithenBharadwajP. Unnikrishnan, Harini
Idhu KathalaFebruary 14Haricharan
Aayiram YaanaiVallamai TharayoNithyasree Mahadevan, Chinmayi
Unnai Thinam EthirparthenKadhaludanS. A. RajkumarPrasanna, P. Unnikrishnan
Unnai SaranadainthenAmmuvagiya NaanSabesh–MuraliHarish Raghavendra, Kalyani
Vaaney VaaneyViswasamD. ImmanHariharan, Shreya Ghoshal
Sengathire SengathireKadaikutty SingamPradeep Kumar
Kanna Thoodhu Po DaPutham Pudhu KaalaiGovind VasanthaBombay Jayashri
Mogamma Illai MochamaIndira VizhaYathish MahadevHariharan, Sujatha Mohan
Omkara Pranava Mantra SwaroopamMaaligaiMahesh MahadevPriyadarshini
::

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Dharmavati's notes when shifted using Graha bhedam, yields 2 other Melakarta rāgams, namely, Chakravakam and Sarasangi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Dharmavati.

Notes

References

References

  1. ''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  2. ''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

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melakarta-ragas