Borbetomagus

Free jazz/noise rock band


title: "Borbetomagus" type: doc version: 1 created: 2026-02-28 author: "Wikipedia contributors" status: active scope: public tags: ["avant-garde-ensembles", "free-improvisation-ensembles", "noise-musical-groups", "american-experimental-musical-groups", "cadence-jazz-records-artists"] description: "Free jazz/noise rock band" topic_path: "arts" source: "https://en.wikipedia.org/wiki/Borbetomagus" license: "CC BY-SA 4.0" wikipedia_page_id: 0 wikipedia_revision_id: 0

::summary Free jazz/noise rock band ::

::data[format=table title="Infobox musical artist"]

FieldValue
nameBorbetomagus
imageDon Dietrich & Jim Sauter12.jpg
captionDon Dietrich and Jim Sauter
genreFree jazz, noise rock
years_active1979—present
labelAgaric
associated_actsVoice Crack, Tristan Honsinger, Peter Kowald, Hijokaidan
website
current_membersDon Dietrich
Donald Miller
Jim Sauter
past_membersAdam Nodelman
::

| name = Borbetomagus | image = Don Dietrich & Jim Sauter12.jpg | caption = Don Dietrich and Jim Sauter | genre = Free jazz, noise rock | years_active = 1979—present | label = Agaric | associated_acts = Voice Crack, Tristan Honsinger, Peter Kowald, Hijokaidan | website = | current_members = Don Dietrich Donald Miller Jim Sauter | past_members = Adam Nodelman

Borbetomagus are a free jazz/noise rock group. They are cited by critics as pioneers of aggressive improvised noise music.

Biography

Borbetomagus formed in 1979 when saxophone players Jim Sauter and Don Dietrich joined with electric guitarist Donald Miller. Sauter and Deitrich were fans of and frequent callers to Miller's radio show on WKCR (Columbia University) which lead to them collaborating. Bass guitarist Adam Nodelman was briefly a member, and they have occasionally collaborated with others.

Their aggressive music has been described as "a huge, overpowering, take-no-prisoners mass of sound." One extended technique they use is called "bells together" where Sauter and Dietrich place the bells (openings) of their saxophones against one other while playing.

While the core trio listed above has been responsible for most of Borbetomagus's music, they have collaborated with Swiss circuit bending duo Voice Crack, Dutch cellist Tristan Honsinger, German double-bassist Peter Kowald, multi-instrumentalist Milo Fine, the band Fat on their album Hit, and others. In 2006, they recorded a collaborative album with Hijokaidan live at the Festival International de Musique Actuelle de Victoriaville, Canada, and in 2007 their long out-of-print cassette Live In Allentown was released on CD with nearly twice as much material as the original. Sauter and Dietrich have also recorded a duo album and a collaborative album with Sonic Youth guitarist Thurston Moore.

Name

Borbetomagus refers to the Celtic origin of the German city of Worms.

Influence

::figure[src="https://upload.wikimedia.org/wikipedia/commons/4/47/Loz_jimsauter.png" caption="Jim Sauter performing at Palisades"] ::

They are considered widely influential on the Japanese noise music scene, as demonstrated by the re-release of their limited Live At Inroads cassette on CD by the Japanese label P.S.F. Records, as well as having a CD released by Osaka-based noise label Alchemy Records.

They have been influential on many American rock, free jazz, and noise musicians, such as Sonic Youth, Pelt, Thomas Ankersmit, and Kevin Drumm. Miller has worked with Pelt; he now resides in New Orleans, where he frequently collaborates live with Rob Cambre and others on E-Bowed guitars.

Discography

References

References

  1. [{{AllMusic
  2. OPtion, May/June 1985 pg. 39
  3. [http://www.furious.com/perfect/borbetomagus.html Furious.com] {{webarchive. link. (April 9, 2004)

::callout[type=info title="Wikipedia Source"] This article was imported from Wikipedia and is available under the Creative Commons Attribution-ShareAlike 4.0 License. Content has been adapted to SurfDoc format. Original contributors can be found on the article history page. ::

avant-garde-ensemblesfree-improvisation-ensemblesnoise-musical-groupsamerican-experimental-musical-groupscadence-jazz-records-artists