22, A Million
22, A Million is the third studio album by American indie folk band Bon Iver, released on September 30, 2016. Recorded in lead member Justin Vernon's April Base studio in Eau Claire, Wisconsin, the album marks a major shift in the band's sound and incorporates elements of electronic music and hip hop production influenced by Vernon's prior work with Kanye West. Most of the lyricism concerns Bon Iver's rise in popularity and how Vernon's relationship with the world has changed as a result.
.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}
.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:"\a0 · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}
.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}
.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent;color:inherit}.mw-parser-output .infobox-3cols-child{margin:-3px}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}
| 22, A Million | |||
|---|---|---|---|
| September 30, 2016 (2016-09-30) | |||
| 2012–2016 | |||
| April Base (Eau Claire) | |||
| Folktronica | |||
| art pop | |||
| electronic | |||
| 34:10 | |||
| Jagjaguwar | |||
| April Base | |||
| Justin Vernon | |||
| Chris Messina | |||
| iTunes Session(2012) |
22, A Million(2016)
I, I(2019) | iTunes Session(2012) | 22, A Million(2016) | I, I(2019) | | iTunes Session(2012) | 22, A Million(2016) | I, I(2019) | | | | | | | | "22 (Over Soon)" / "10 dEAThbREasT"Released: August 15, 2016 "33 "God""Released: August 29, 2016 | | | | | | | | |
22, A Million is the third studio album by American indie folk band Bon Iver, released on September 30, 2016. Recorded in lead member Justin Vernon's April Base studio in Eau Claire, Wisconsin, the album marks a major shift in the band's sound and incorporates elements of electronic music and hip hop production influenced by Vernon's prior work with Kanye West. Most of the lyricism concerns Bon Iver's rise in popularity and how Vernon's relationship with the world has changed as a result.
22, A Million first premiered at Vernon's Eaux Claires Music Festival, and upon release the album debuted at number 2 on the Billboard 200, receiving widespread acclaim from critics who praised its original sound and colorful lyricism. Several publications, including Pitchfork, Rolling Stone and The Guardian, listed 22, A Million as one of the best albums of 2016. It also received nominations for Best Alternative Music Album and Best Recording Package at the 2017 Grammy Awards. In 2019, Pitchfork and Rolling Stone included it in their list of best albums of the decade, at number 91 and 47, respectively. The album's artwork is featured on a mural in downtown Eau Claire, Vernon's hometown.
22, A Million is composed of songs written and produced from 2012 to 2016. It makes extensive use of samples, synths and brass instruments. Many of the sounds on the record were created and manipulated using a Teenage Engineering OP-1 synthesizer, along with a harmonizer designed for the band by engineer and producer Chris Messina.
| Aggregate scores | |
|---|---|
| AnyDecentMusic? | 8.5/10 |
| Metacritic | 87/100 |
| AllMusic | |
| The A.V. Club | B+ |
| The Daily Telegraph | |
| Entertainment Weekly | B |
| The Guardian | |
| The Independent | |
| NME | 4/5 |
| Pitchfork | 9.0/10 |
| Q | |
| Rolling Stone |
22, A Million received acclaim from critics, garnering a score of 87 out of 100 on Metacritic, signifying "universal acclaim" based on 41 critic reviews. Writing for Pretty Much Amazing, Peter Tabakis praised the album in his review, giving it an A, and remarking, "Not since Kid A has an album so superb pushed away and pulled closer its audience, simultaneously and with such aplomb." In his review for Rolling Stone, Will Hermes opined, "Vernon remains an oblique lyricist, but the knottiness can be compelling." It gave it four stars out of five. Paul Bridgewater of The Line of Best Fit awarded the record full marks, writing that "22, A Million captures personal crisis and resolution better than any album this century". Writing for No Depression, John Amen commented that 22, A Million "integrates the high points of Bon Iver's first three recordings ... his most focused and ambitious permutation to date."
| Publication | Accolade | Year | Rank | Ref. |
|---|---|---|---|---|
| The 50 Best Albums of 2016 | 2016 | 16 | ||
| NME's Albums of the Year 2016 | 2016 | 50 | ||
| Best 50 Albums of 2016 | 2016 | 5 | ||
| The 50 Best Albums of 2016 | 2016 | 9 | ||
| The 50 Best Albums of 2016 | 2016 | 12 | ||
| The 20 Best Rock Albums of 2016 | 2016 | —.mw-parser-output .sr-only{border:0;clip:rect(0,0,0,0);clip-path:polygon(0px 0px,0px 0px,0px 0px);height:1px;margin:-1px;overflow:hidden;padding:0;position:absolute;width:1px;white-space:nowrap}N/a | ||
| The 200 Best Albums of the 2010s | 2019 | 91 | ||
| Albums of the Year 2016 | 2016 | 88 | ||
| 50 Best Albums of 2016 | 2016 | 22 | ||
| The 100 Best Albums of the 2010s | 2019 | 47 | ||
| Albums of the Year | 2016 | 51 | ||
| Top 50 Albums of 2016 | 2016 | 3 | ||
| The 50 Best Albums of 2016 | 2016 | 15 | ||
| 50 Best Albums of 2016 | 2016 | 5 |
22, A Million debuted at number two on the Billboard 200 with 71,000 units, of which 58,000 were traditional album sales. It was the highest-selling album of the week.
.mw-parser-output .tracklist{border-spacing:0}.mw-parser-output .tracklist tr{background-color:var(--background-color-base,#fff)}.mw-parser-output .tracklist tr:nth-child(2n-1){background-color:var(--background-color-neutral-subtle,#f8f9fa)}.mw-parser-output .tracklist caption{text-align:left;font-weight:bold}.mw-parser-output .tracklist td,.mw-parser-output .tracklist th[scope="row"]{vertical-align:top}.mw-parser-output .tracklist th[scope="col"]{text-align:left;background-color:var(--background-color-neutral,#eaecf0)}.mw-parser-output .tracklist th.tracklist-length-header,.mw-parser-output .tracklist th.tracklist-number-header,.mw-parser-output .tracklist th[scope="row"],.mw-parser-output .tracklist-length,.mw-parser-output .tracklist-total-length td{padding-right:10px;text-align:right}.mw-parser-output .tracklist th[scope="row"]{font-weight:normal}.mw-parser-output .tracklist-number-header{width:2em;padding-left:10px}.mw-parser-output .tracklist-length-header{width:4em}.mw-parser-output .tracklist tr.tracklist-total-length{background-color:transparent}.mw-parser-output .tracklist .tracklist-total-length th{padding:0;font-weight:bold}.mw-parser-output .tracklist-total-length th>span{float:right;padding:0 10px;background-color:var(--background-color-neutral,#eaecf0)}.mw-parser-output .tracklist-total-length td{background-color:var(--background-color-neutral,#eaecf0);font-weight:bold;padding:0 10px 0 0}
Sample credits
- "22 Over Soon" contains a sample of "How I Got Over", as written by Clara Ward and performed by Mahalia Jackson.
- "10 Death Breast" contains a sample of "Wild Heart", as written and performed by Stevie Nicks.
- "33 'God'" contains samples of "Dsharpg", as written and performed by Sharon Van Etten, "Morning", as written by Willis S. Graham and performed by Jim Ed Brown, "Iron Sky", as written by Paolo Nutini and Dani Castelar and performed by Paolo Nutini, and "All Rendered Truth", as written and performed by Lonnie Holley.
- "666 Upside Down Cross" contains a sample of "Standing in the Need of Prayer", as written by Dave Kingsby and performed by The Supreme Jubilees.
- "21 Moon Water" contains samples of "A Lover's Concerto", as written by Denny Randell and Sandy Linzer, and performed by The Toys.
- "00000 Million" contains a sample of "Abacus" as written and performed by Fionn Regan.
.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}
.mw-parser-output .col-begin{border-collapse:collapse;padding:0;color:inherit;width:100%;border:0;margin:0}.mw-parser-output .col-begin-small{font-size:90%}.mw-parser-output .col-break{vertical-align:top;text-align:left}.mw-parser-output .col-break-2{width:50%}.mw-parser-output .col-break-3{width:33.3%}.mw-parser-output .col-break-4{width:25%}.mw-parser-output .col-break-5{width:20%}@media(max-width:720px){.mw-parser-output .col-begin,.mw-parser-output .col-begin>tbody,.mw-parser-output .col-begin>tbody>tr,.mw-parser-output .col-begin>tbody>tr>td{display:block!important;width:100%!important}.mw-parser-output .col-break{padding-left:0!important}}
| Region | Certification | Certified units/sales |
|---|---|---|
| Gold | 10,000‡ | |
| Gold | 100,000‡ | |
| ‡ Sales+streaming figures based on certification alone. |
.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}body.skin-vector-2022 .mw-parser-output .reflist-columns-2{column-width:27em}body.skin-vector-2022 .mw-parser-output .reflist-columns-3{column-width:22.5em}.mw-parser-output .references[data-mw-group=upper-alpha]{list-style-type:upper-alpha}.mw-parser-output .references[data-mw-group=upper-roman]{list-style-type:upper-roman}.mw-parser-output .references[data-mw-group=lower-alpha]{list-style-type:lower-alpha}.mw-parser-output .references[data-mw-group=lower-greek]{list-style-type:lower-greek}.mw-parser-output .references[data-mw-group=lower-roman]{list-style-type:lower-roman}.mw-parser-output div.reflist-liststyle-upper-alpha .references{list-style-type:upper-alpha}.mw-parser-output div.reflist-liststyle-upper-roman .references{list-style-type:upper-roman}.mw-parser-output div.reflist-liststyle-lower-alpha .references{list-style-type:lower-alpha}.mw-parser-output div.reflist-liststyle-lower-greek .references{list-style-type:lower-greek}.mw-parser-output div.reflist-liststyle-lower-roman .references{list-style-type:lower-roman}